{"id":4545,"date":"2025-11-18T15:01:43","date_gmt":"2025-11-18T14:01:43","guid":{"rendered":"https:\/\/emmaalessiinnocenti.com\/evento\/concert-charpentier-hortus-harmonicus\/"},"modified":"2025-11-22T19:57:38","modified_gmt":"2025-11-22T18:57:38","slug":"concert-charpentier-hortus-harmonicus","status":"publish","type":"tribe_events","link":"https:\/\/emmaalessiinnocenti.com\/en\/event\/concert-charpentier-hortus-harmonicus\/","title":{"rendered":"Marc-Antoine Charpentier – Un Concert de No\u00ebl | Hortus Harmonicus Festival"},"content":{"rendered":"
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I musici del Gran Principe<\/span><\/span><\/p>\n

Samuele Lastrucci, conductor<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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Lili Aymonino, dessus<\/span>
\n<\/span>Valentina Fin, dessus<\/span>
\n<\/span>Emma Alessi Innocenti, dessus<\/span>
\n<\/span>Gabriel Belkheiri, haute contre<\/span>
\n<\/span>Marco Angiol<\/span>o<\/span>ni, taille<\/span>
\n<\/span>Francesco Masilla, basse<\/span><\/p>\n

Matteo Sacc\u00e0, violin<\/span>
\n<\/span>Rossella Pugliano, violin<\/span>
\n<\/span>Giulia Serio, baroque flute<\/span>
\n<\/span>Giuditta Isoldi, baroque flute<\/span>
\n<\/span>Johanna Lopez,<\/span>
\n<\/span>Tommaso Tarsi, theorbo<\/span><\/p>\n

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Programme <\/strong><\/em><\/p>\n

Marc-Antoine Charpentier (1643\u20131704)
\n<\/strong>Antiphona sine organo ad virginem \u201cSub tuum pr\u00e6sidium\u201d, H. 28
\nIn Assumptione Beata Mariae Virginis, H. 353
\nAd beatam Virginem canticum, H. 340
\nSalve Regina H. 27
\nMagnificat, H. 73
\nLitanies de la Vierge, H. 83<\/p>\n

Notes to the program
\n<\/strong>The Marian nucleus presented here offers an exemplary sample of the Charpentierian synthesis between Italian vocabulary learned from Carissimi and elegant French taste. French chapel forms and organics parade in the chosen program, from the bare splendor of the “Antiphona sine organo ad Virginem” H. 28 (Sub tuum praesidium), for three a cappella dessus, to the sweeping fresco of the “In Assumptione Beatae Mariae Virginis” H. 353, where choral and solo invocations, imitative-concert sections alternate episodes of relaxation with litanean refrains. The canticle “Ad beatam Virginem” H. 340 chisels a trio Haute-contre, Taille and Basse with concertante instruments and continuo, in fine timbral balance and affective suspensions. The “Salve Regina” H. 27, is conceived as a solo intermediate entrusted to the soprano voice. The “Magnificat” H. 73 distills the poetics of the male voice trio on chaconne bass, varying the affects between humilitas and exaltatio. The “Litanies de la Vierge” H. 83 closes: chain of invocations according to Parisian praxis, with luminous progressions, persuasive modulations and wide-ranging devotional culmination.<\/p>\n

Free admission subject to availability<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

I musici del Gran Principe Samuele Lastrucci, conductor Lili Aymonino, dessus Valentina Fin, dessus Emma Alessi Innocenti, dessus Gabriel Belkheiri, haute contre Marco Angioloni, taille Francesco Masilla, basse Matteo Sacc\u00e0, […]<\/p>\n","protected":false},"author":1,"featured_media":4562,"comment_status":"open","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"disabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[94,162,163],"tribe_events_cat":[63],"class_list":["post-4545","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-baroque-music","tag-charpentier","tag-i-musici-del-gran-principe","tribe_events_cat-concerts","cat_concerts"],"_links":{"self":[{"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/tribe_events\/4545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/comments?post=4545"}],"version-history":[{"count":0,"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/tribe_events\/4545\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/media\/4562"}],"wp:attachment":[{"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/media?parent=4545"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/tags?post=4545"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=4545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}