{"id":1539,"date":"2024-07-01T19:55:35","date_gmt":"2024-07-01T17:55:35","guid":{"rendered":"http:\/\/localhost\/emmaalessi\/calendario\/moschetta-e-grullo-eurilla-e-beltramme-teatro-lirico-sperimentale-spoleto\/"},"modified":"2025-11-22T19:45:43","modified_gmt":"2025-11-22T18:45:43","slug":"moschetta-grullo-eurilla-beltramme-tls","status":"publish","type":"tribe_events","link":"https:\/\/emmaalessiinnocenti.com\/en\/event\/moschetta-grullo-eurilla-beltramme-tls\/","title":{"rendered":"Moschetta e Grullo \/ Eurilla e Beltramme | Teatro Lirico Sperimentale (Spoleto)"},"content":{"rendered":"<h2>Intermezzi of the 18th century<\/h2>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">The <strong>Teatro Lirico Sperimentale<\/strong>, in collaboration with<strong>the<b>University of Milan &#8211; Centro Studi Pergolesi<\/b><\/strong>, will stage as many as two performances dedicated to the Baroque repertoire for the 2024 season.<br \/>\nThis review has now become a traditional fixture in the theater&#8217;s playbill and is dedicated to 18th-century Intermezzi. They are short works between comic and farcical centered on two or three characters, which were performed in Neapolitan theaters during the intervals between the acts of serious operas. Intermezzi served the function of entertainment for the audience, which was highly entertained by these small operatic creations, sometimes showing even greater interest than the main serious melodrama.  <\/span><\/p>\n<p style=\"text-align: justify;\">This year, the Teatro Lirico Sperimentale will stage two intermezzi by <strong>Domenico Sarro<\/strong>, <span style=\"font-weight: 400;\">leading composer of the glorious season of the early 18th-century Neapolitan School, which played a key role in exporting Italian opera throughout Europe.<br \/>\nThese interludes are entitled <strong><em>Moschetta and Grullo<\/em><\/strong><em> <\/em>and <strong><em>Eurilla and Beltramme<\/em><\/strong> and were composed by Sarro himself for the interludes of two of his serious melodramas. <em>Moschetta e Grullo<\/em> is in fact the intermezzo for the opera <em>Siroe re di Persia<\/em>, which was first performed at the Teatro San Bartolomeo in Naples in 1727; <em>Eurilla e Beltramme <\/em>, on the other hand, is the intermezzo for <em>La Partenope<\/em>, the first performance of which took place in 1722 at the same theater.<br \/>\nThe production of <em>Moschetta e Grullo <\/em>is a revival from the 2023 season, while the staging of <em>Eurilla e Beltramme <\/em>is a first performance in modern times.<\/span><\/p>\n<h3><span style=\"text-decoration: underline;\">Performers<\/span><\/h3>\n<p style=\"font-weight: 400;\"><strong><em>Moschetta e Grullo<\/em><\/strong><\/p>\n<p style=\"font-weight: 400;\">Music by Domenico Sarro<br \/>\nCritical edition by Antonio Dilella and Claudio Toscani<\/p>\n<p>Moschetta: Chiara Guerra | Aloisia de Nardis<br \/>\nGrullo: Davide Piva | Marco Gazzini<\/p>\n<p>Mimes: Vania Ficola, Valentino Pagliei<\/p>\n<p style=\"font-weight: 400;\"><strong><em>Eurilla e Beltramme<\/em><\/strong><\/p>\n<p style=\"font-weight: 400;\">Music by Domenico Sarro<br \/>\nCritical edition by Benedetta Amelio<\/p>\n<p style=\"font-weight: 400;\">Eurilla: Emma Alessi Innocenti | Francesca Lione<br \/>\nBeltramme: Andrea Ariano | Marco Pierangelo Maria Guarini<\/p>\n<p>Mimes: Vania Ficola, Valentino Pagliei<\/p>\n<p>Direction: Pierfrancesco Borrelli<br \/>\n<em>Moschetta and Grullo<\/em> direction and scenes: Andrea Stanisci<br \/>\n<em>Eurilla and Beltramme<\/em> direction and scenes: Laura Cosso<br \/>\n<em>Moschetta and Grullo<\/em> costumes: Clelia De Angelis<br \/>\n<em>Eurilla and Beltramme<\/em> costumes: Clara Restivo<br \/>\nLights: Eva Bruno<\/p>\n<p>Ensemble Calamani of the Teatro Lirico Sperimentale<br \/>\nTechnicians of the Experimental Lyric Theater<br \/>\nHarpsichord: Davor Krkljus<\/p>\n<h3><span style=\"text-decoration: underline;\">Representations<\/span><\/h3>\n<p>6, 7 September | 8: 30 pm<br \/>\n8 September | 5:00 pm<\/p>\n<p>Teatro Caio Melisso, Spoleto (PG)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Intermezzi of the 18th century The Teatro Lirico Sperimentale, in collaboration withtheUniversity of Milan &#8211; Centro Studi Pergolesi, will stage as many as two performances dedicated to the Baroque repertoire [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1425,"comment_status":"open","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"disabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[66,173],"tribe_events_cat":[67],"class_list":["post-1539","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-baroque-intermezzo","tag-teatro-lirico-sperimentale","tribe_events_cat-opera-en","cat_opera-en"],"_links":{"self":[{"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/tribe_events\/1539","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/comments?post=1539"}],"version-history":[{"count":0,"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/tribe_events\/1539\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/media\/1425"}],"wp:attachment":[{"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/media?parent=1539"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/tags?post=1539"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/emmaalessiinnocenti.com\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=1539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}