BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Emma Alessi Innocenti - ECPv6.17.4.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Emma Alessi Innocenti
X-ORIGINAL-URL:https://emmaalessiinnocenti.com/en/
X-WR-CALDESC:Events for Emma Alessi Innocenti
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Rome
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20210328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20211031T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20221030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20231029T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220909T193000
DTEND;TZID=Europe/Rome:20220909T203000
DTSTAMP:20250314T153025Z
CREATED:20240711T085942Z
LAST-MODIFIED:20250314T153025Z
UID:1596-1662751800-1662755400@emmaalessiinnocenti.com
SUMMARY:FloReMus – CONCERT A’ BOIRE: Music in the Courts of Princes | Ensemble Baroque Lumina
DESCRIPTION:Programme\n\nC. Malvezzi (1547-1597) from the Intermedio L’Armonia delle Sfere of La Pellegrina (1589)\,\nSinfonia I for Harpsichord\, Theorbo and Viola da gamba.\nA. Archilei (1543-1612) from the Intermedio L’Armonia delle Sfere de La Pellegrina\,\nDalle più Alte sfere for Soprano\, Theorbo\, Harpsichord and Viola da gamba.\nC. Malvezzi from the intermedio Il canto d’Arione from La Pellegrina\,\nIo che l’onde raffreno for Soprano\, Theorbo\, Harpsichord and Viola da gamba.\nS. Garsi da Parma (1542 –1604) L’Aria del Gran Duca for solo Lute\nG. Caccini (1551-1618) from Le Nuove Musiche (1601)\,\nSfogava con le stelle for Soprano\, Theorbo\, Harpsichord and Viola da gamba.\nG. Frescobaldi (1583-1643) from the Second Book of Toccatas (1628)\,\nAria known as la frescobalda (Aria\, Gagliarda and Corrente) for solo harpsichord.\nG. Frescobaldi\, from the Primo libro d’arie musicali (1630)\,\nVoi partite mio Sole for Soprano\, Theorbo\, harpsichord and viola da gamba\nG. Frescobaldi\, from Primo libro delle canzoni accomodate per sonare con ogni sorte di strumenti (1628)\,\nCanzona a basso solo detta La Tromboncina for Viola da gamba\, Harpsichord and Theorbo.\nC. Monteverdi (1567-1643) from Selva Morale et Spirituale (1640-1641)\,\nLaudate Dominum for Soprano\, Theorbo\, Harpsichord and Viola da gamba.\n\nEnsemble Baroque Lumina\nEmma Alessi Innocenti: Soprano\nAndrea Benucci: Theorbo and Lute\nIris Faceto: Viola da gamba \nGiacomo Benedetti: Concertation and Harpsichord \nProgramme notes\nThe intent of the concert and our group is to popularize mainly the musical repertoire of Florentine scope ranging from the mid-1500s to the late Baroque\, using copies of original instruments and performing the pieces according to historically informed practice.\nIn this program the common thread is “recitar cantando” in its iteration from the first to the seconda prattica when Florence\, between the church of Santa Felicita\, the Camerata dei Bardi and the Pitti Palace\, was a meeting point for many composers.\nThe first composers proposed are among the earliest protagonists of the new Florentine musical form: the pieces are excerpts from the Intermediate Pellegrina commissioned in 1589 by Ferdinando I de’ Medici for the celebrations of his marriage to Christina of Lorraine and staged by Giovanni Bardi\, count of Vernio and leader of the famous Camerata de’ Bardi: A. Archilei \, C. Malvezzi\, V. Galilei\, G. Caccini were among the members of the famous symposium whose intent was to write music different from that composed by Palestrina and Zarlino\, defined as the first practice. This second practice involved a single melody subject to the text\, the focus of the expression of taste and affect\, accompanied by basso continuo; a greater freedom of writing than the strict rules of the first practice. The path continues with Girolamo Frescobaldi who\, at the invitation of Ferdinando II de’ Medici\, moved to Florence in 1630 where he composed Il primo libro delle canzoni a 1-4 voci and the Arie musicali: the expressive musical writing highlights the new practice with even greater intensity. With Claudio Monteverdi the musical journey ends: a key figure of the second practice that consolidated and elevated melodrama and sacred music by making them solemn\, brilliant and eternal.    \nDate event and location\n9th September 2022\, 7:30 pm | Murate Art District (MAD)\, Piazza delle Murate\, Florence \n 
URL:https://emmaalessiinnocenti.com/en/event/floremus-concert-a-boire-ensemble-baroque-lumina/
LOCATION:Murate Art District\, Piazza delle Murate\, Florence\, FI\, 50122\, Italy
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/png:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/Floremus_cop_0.png
ORGANIZER;CN="L'Homme Arm%C3%A9":MAILTO:informazioni@hommearme.it
END:VEVENT
END:VCALENDAR