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DTSTART;TZID=Europe/Rome:20240910T203000
DTEND;TZID=Europe/Rome:20240910T220000
DTSTAMP:20260530T015216
CREATED:20240702T161533Z
LAST-MODIFIED:20251122T184423Z
UID:1535-1726000200-1726005600@emmaalessiinnocenti.com
SUMMARY:Liederabend | Teatro Lirico Sperimentale (Spoleto)
DESCRIPTION:The Teatro Lirico Sperimentale of Spoleto will offer a Liederabend (Lieder Evening) as part of its season: this is an intimate and intimate performance of vocal chamber music\, during which the audience can (re)discover a poetic and musical world made up of nuances\, whispered expressions and precisely for that reason profound. It is the privileged access to a poetic universe that touches\, with sobriety\, elegance and truth\, the most touching chords of the soul. The Lied is the song of the man who faces a long journey in search of the meaning of existence. Whether he finds it or not is hard to say. But the stages of the long journey are nonetheless milestones of a worthwhile experience.     \nDuring the evening many Lieder of the German tradition will be performed\, with uthors like Schubert\, Schumann\, Brahms\, Strauss and other composers who have contributed to the history of this genre. \nThe students of the Course for preparing debut for young opera singers of the Sperimentale will be accompanied on the piano by M° Antonio Vicentini. \nDate event and location\nTuesday\, September 10 | 8:30 p.m.\nPegasus Hall of Spoleto
URL:https://emmaalessiinnocenti.com/en/event/liederabend-teatro-lirico-sperimentale-spoleto/
LOCATION:Pegasus Cinema Hall\, Piazza Bovio\, 1\, Spoleto\, PG\, 06049\, Italy
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/03_-Logo-stagione-2024-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240906T203000
DTEND;TZID=Europe/Rome:20240908T183000
DTSTAMP:20260530T015216
CREATED:20240701T175535Z
LAST-MODIFIED:20251122T184543Z
UID:1539-1725654600-1725820200@emmaalessiinnocenti.com
SUMMARY:Moschetta e Grullo / Eurilla e Beltramme | Teatro Lirico Sperimentale (Spoleto)
DESCRIPTION:Intermezzi of the 18th century\nThe Teatro Lirico Sperimentale\, in collaboration withtheUniversity of Milan – Centro Studi Pergolesi\, will stage as many as two performances dedicated to the Baroque repertoire for the 2024 season.\nThis review has now become a traditional fixture in the theater’s playbill and is dedicated to 18th-century Intermezzi. They are short works between comic and farcical centered on two or three characters\, which were performed in Neapolitan theaters during the intervals between the acts of serious operas. Intermezzi served the function of entertainment for the audience\, which was highly entertained by these small operatic creations\, sometimes showing even greater interest than the main serious melodrama.   \nThis year\, the Teatro Lirico Sperimentale will stage two intermezzi by Domenico Sarro\, leading composer of the glorious season of the early 18th-century Neapolitan School\, which played a key role in exporting Italian opera throughout Europe.\nThese interludes are entitled Moschetta and Grullo and Eurilla and Beltramme and were composed by Sarro himself for the interludes of two of his serious melodramas. Moschetta e Grullo is in fact the intermezzo for the opera Siroe re di Persia\, which was first performed at the Teatro San Bartolomeo in Naples in 1727; Eurilla e Beltramme \, on the other hand\, is the intermezzo for La Partenope\, the first performance of which took place in 1722 at the same theater.\nThe production of Moschetta e Grullo is a revival from the 2023 season\, while the staging of Eurilla e Beltramme is a first performance in modern times. \nPerformers\nMoschetta e Grullo \nMusic by Domenico Sarro\nCritical edition by Antonio Dilella and Claudio Toscani \nMoschetta: Chiara Guerra | Aloisia de Nardis\nGrullo: Davide Piva | Marco Gazzini \nMimes: Vania Ficola\, Valentino Pagliei \nEurilla e Beltramme \nMusic by Domenico Sarro\nCritical edition by Benedetta Amelio \nEurilla: Emma Alessi Innocenti | Francesca Lione\nBeltramme: Andrea Ariano | Marco Pierangelo Maria Guarini \nMimes: Vania Ficola\, Valentino Pagliei \nDirection: Pierfrancesco Borrelli\nMoschetta and Grullo direction and scenes: Andrea Stanisci\nEurilla and Beltramme direction and scenes: Laura Cosso\nMoschetta and Grullo costumes: Clelia De Angelis\nEurilla and Beltramme costumes: Clara Restivo\nLights: Eva Bruno \nEnsemble Calamani of the Teatro Lirico Sperimentale\nTechnicians of the Experimental Lyric Theater\nHarpsichord: Davor Krkljus \nRepresentations\n6\, 7 September | 8: 30 pm\n8 September | 5:00 pm \nTeatro Caio Melisso\, Spoleto (PG)
URL:https://emmaalessiinnocenti.com/en/event/moschetta-grullo-eurilla-beltramme-tls/
LOCATION:Teatro Caio Melisso\, Piazza del Duomo\, 4\, Spoleto\, PG\, 06049\, Italy
CATEGORIES:Opera
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/03_-Logo-stagione-2024-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240829T203000
DTEND;TZID=Europe/Rome:20240901T183000
DTSTAMP:20260530T015216
CREATED:20240701T170329Z
LAST-MODIFIED:20251122T184633Z
UID:1544-1724963400-1725215400@emmaalessiinnocenti.com
SUMMARY:Procedura Penale / La smorfia | Teatro Lirico Sperimentale (Spoleto)
DESCRIPTION:20th-century Opera\nProcedura penale by Luciano Chailly and La smorfia by Bruno Bettinelli are two short comic operas in one act\, conceived as a diptych and thus performed during the first representation at the Teatrino of Villa Olmo in Como\, in 1959. \nFor the first time since the first performance\, they are revived in their original form\, in a new staging curated by the Teatro Lirico Sperimentale of Spoleto. The skillful\, imaginative and surprising writing of composers Chailly and Bettinelli highlights the sophisticated and surreal comedy of their two librettists and celebrated writers: respectively Dino Buzzati and Riccardo Bacchelli.  \nPerformers\nDirection: Marco Angius\nDirection: Giorgio Bongiovanni\nScenes: Andrea Stanisci\nCostumes: Clelia De Angelis\nLight designer: Eva Bruno \nProcedura Penale\n \nMauritia Delormes: Aloisia de Nardis | Giorgia Costantino\nTitti Stefanetti: Eleonora Benetti | Chiara Latini\nGiandomenico: Marco Pierangelo Maria Guarini | Alberto Petricca\nPaola Isoscele: Emma Alessi Innocenti | Francesca Lione\nDottor Polcevera: Nicola Di Filippo | Paolo Mascari\nDue gemelle: Viktoria Balan e Chiara Guerra \nLa Smorfia \nAstronio Tridapali: Davide Piva | Andrea Ariano\nAdone Vigorelli: Paolo Mascari | Claudio Rocchi\nVanda Tridapali: Eleonora Benetti | Kristyna Kustkovà | Chiara Latini\nLucio Baiesi: Ferruccio Finetti | Marco Gazzini\nFranco Bizzi: Federico Vita\nLuigi del Fante: Nicola Di Filippo \nRepresentations\n29\, 30\, 31 August | 8:30 pm\n1 September | 5:00 pm \nTeatro Caio Melisso\, Spoleto (PG)
URL:https://emmaalessiinnocenti.com/en/event/procedura-penale-la-smorfia-tls/
LOCATION:Teatro Caio Melisso\, Piazza del Duomo\, 4\, Spoleto\, PG\, 06049\, Italy
CATEGORIES:Opera
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/03_-Logo-stagione-2024-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240718T210000
DTEND;TZID=Europe/Rome:20240718T223000
DTSTAMP:20260530T015216
CREATED:20240703T145544Z
LAST-MODIFIED:20250312T182637Z
UID:1573-1721336400-1721341800@emmaalessiinnocenti.com
SUMMARY:Concert "The Secular Cantata of the Italian 18th century" | Academia Montis Regalis
DESCRIPTION:Academia Montis Regalis is organizing a concert featuring the best students of the Masterclass on Seventeenth-Century Italian Cantata held last November by renowned soprano Roberta Invernizzi at Villa Mondragone (Frascati). \nProgramme\n\nSigismondo d’India\, Lamento di Didone\, from the collection “Le musiche a una voce – libro V”\nEmma Alessi Innocenti\, singing\nClaudio Monteverdi\, “Rosa del ciel”\, from the favola pastorale L’Orfeo SV 318\nMauro Cristelli\, singing\nClaudio Monteverdi\, Lettera amorosa\, from the collection “Ottavo libro di madrigali a voce sola”\nMargherita Scaramuzzino\, singing\nClaudio Monteverdi\, Interrotte speranze\, from the collection “Settimo libro di madrigali”\nEmma Alessi Innocenti and Margherita Scaramuzzino\, voices\nClaudio Monteverdi\, “Tu s’è morta” from L’Orfeo SV 318\nMauro Cristelli\, singing\nFrancesco Lucio\, Fuggi pur\, o crudele\, from the collection “Arie a voce sola – Libro Primo”\nMargherita Scaramuzzino\, singing\nClaudio Monteverdi\, Se pur destina\, SV 142\, a voce sola in genere rappresentativo e si canta senza battuta\nMauro Cristelli\, singing\nBarbara Strozzi\, Per un bacio\, from the collection “Diporti di Euterpe”\nEmma Alessi Innocenti\, singing\nClaudio Monteverdi\, In un fiorito prato\, from L’Orfeo SV 318\nMargherita Scaramuzzino\, singing\nClaudio Monteverdi\, Bel pastor\, from the collection “Nono libro di madrigali”\nEmma Alessi Innocenti and Mauro Cristelli\, voices\n\nPerformers\nEmma Alessi Innocenti and Margherita Scaramuzzino\, mezzo-sopranos\nMauro Cristelli\, tenor \nChamber Ensemble of the Academia Montis Regalis\nElisabetta Ferri\, harpsichord\nFrancesco Mattacchione\, cello \nDate event and location\n8th July 2024\, 9:00 pm. | Council Chamber of the Stanislao Cordero of Pamparato Castle
URL:https://emmaalessiinnocenti.com/en/event/concert-chamber-cantata-18thcentury-academia-montis-regalis/
LOCATION:Stanislao Cordero Castle in Pamparato\, via Marconi\, 43\, Pamparato\, CN\, 12087\, Italy
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/academia-montis.jpg
ORGANIZER;CN="Academia Montis Regalis":MAILTO:segreteria-artistica@academiamontisregalis.it
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231119T170000
DTEND;TZID=Europe/Rome:20231119T183000
DTSTAMP:20260530T015216
CREATED:20240704T142425Z
LAST-MODIFIED:20250314T145611Z
UID:1574-1700413200-1700418600@emmaalessiinnocenti.com
SUMMARY:Aci\, Galatea e Polifemo - G.F. Händel | Teatro Arrigoni\, S. Vito al Tagliamento
DESCRIPTION:The performance of Aci\, Galatea e Polifemo is part of the 2023 playbill of the MusicAntica Festival BAROQUE STORIES Reflections\, incroci\, rivisitazioni\, produced by the BAROCCO EUROPEO Association of Sacile (www.barocco-europeo.org) in collaboration with Epicantica and the Wunderkammer-Trieste Festival. \nAci\, Galatea e Polifemo HWV 72 by G. F. Händel is the opera chosen this year as the project for the LABORATORIO PER L’OPERA BAROCCA\, in order to create a new professional opportunity for young artists. Such Serenata has been revived at the theaters of the Friuli-Venezia-Giulia region.\nIn the roles of the protagonists will be the young winners of the Vocal Competition held precisely for the staging of the performance. The young students of NABA – New Academy of Fine Arts in Milan – have contributed their fresh inventiveness to the realization of the set design\, under the banner of a modern and appealing reading of the Baroque repertoire. Musical support will be provided by the Cenacolo Musicale orchestral ensemble\, under the direction of Riccardo Doni\, a well-known expert in the Baroque repertoire and attentive to the education of new generations.    \nAci\, Galatea e Polifemo is a Serenata for three voices for soprano\, alto and bass\, composed by G.F.Händel during his stay in Naples in 1708\, with a libretto by Neapolitan abbot Nicola Giuvo. The work was commissioned by Donna Cecilia Capece\, Princess of Squinzano\, for the wedding of the Duke of Alvito to Beatrice Sanseverino and is intended to sing the praises of marital fidelity.\nStylistically\, the serenade is set in the very particular expressive context of the Academy of Arcadia\, founded in Rome after the death of Christina of Sweden by a circle of literati with the aim of creating a new poetic style in antithesis to the artifices of the seventeenth century and aimed rather at exalting the simple life of shepherds\, in the name of an ideal of classicism and rationalism.\nFrom a vocal point of view\, the opera requires special technical and performance skills and especially tests the voice of the bass\, for whom Händel wrote one of the most difficult and challenging arias in the Baroque repertoire (“Fra l’ombre e gli orrori”)\, the melody of which involves a vocal range of two and a half octaves and unfolds in dizzying leaps. The female voices must also demonstrate particular gifts in coloratura embroidery and expressive intensity\, in a constant search for melodic beauty and ornamental refinements.  \nPerformers\nAci – Maddalena De Biasi\nGalatea – Emma Alessi Innocenti\nPolifemo – Yuri Guerra\nMimes – Andrea Maddalozzo\, Leandro Bertolo\, Marta Lucchese \ndirection by Cesare Scarton\nconducting Riccardo Doni\nconception Donatella Busetto \nCenacolo Musicale Orchestra\nTommaso Luison – first violin\nAlessandro Mele\, Massimiliano Tieppo\, Matteo Rozzi\, Ludovica Lanaro\, Elisa Franzini – violins\nAlessia Turri\, Michele Sguotti – violas\nGiancarlo Trimboli\, Cristina Vidoni – cellos\nMauro Zavagno – violone\nDavide Giacuzzo\, Andrea Bracco – trumpets\nGregorio Carraro – oboe/recorder\nFabiano Merlante – theorbo\nDonatella Busetto – organ \nDate event and location\n19th November\, 5:00 pm. | Teatro Arrigoni in San Vito al Tagliamento
URL:https://emmaalessiinnocenti.com/en/event/aci-galatea-e-polifemo-san-vito-al-tagliamento/
LOCATION:Teatro Arrigoni in S. Vito al Tagliamento\, Piazza del Popolo\, 38\, San Vito al Tagliamento\, PN\, 33078\, Italy
CATEGORIES:Opera
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/06/ARRIGONI-17-NOVEMBRE-042-scaled.jpg
ORGANIZER;CN="Barocco Europeo":MAILTO:info@barocco-europeo.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231117T210000
DTEND;TZID=Europe/Rome:20231117T223000
DTSTAMP:20260530T015216
CREATED:20240703T211345Z
LAST-MODIFIED:20250314T145830Z
UID:1575-1700254800-1700260200@emmaalessiinnocenti.com
SUMMARY:Aci\, Galatea e Polifemo - G.F. Händel | Teatro Miela\, Trieste
DESCRIPTION:The performance of Aci\, Galatea e Polifemo is part of the 2023 playbill of the MusicAntica Festival BAROQUE STORIES Reflections\, incroci\, rivisitazioni\, produced by the BAROCCO EUROPEO Association of Sacile (www.barocco-europeo.org) in collaboration with Epicantica and the Wunderkammer-Trieste Festival. \nAci\, Galatea e Polifemo HWV 72 by G. F. Händel is the opera chosen this year as the project for the LABORATORIO PER L’OPERA BAROCCA\, in order to create a new professional opportunity for young artists. Such Serenata has been revived at the theaters of the Friuli-Venezia-Giulia region.\nIn the roles of the protagonists will be the young winners of the Vocal Competition held precisely for the staging of the performance. The young students of NABA – New Academy of Fine Arts in Milan – have contributed their fresh inventiveness to the realization of the set design\, under the banner of a modern and appealing reading of the Baroque repertoire. Musical support will be provided by the Cenacolo Musicale orchestral ensemble\, under the direction of Riccardo Doni\, a well-known expert in the Baroque repertoire and attentive to the education of new generations.    \nAci\, Galatea e Polifemo is a Serenata for three voices for soprano\, alto and bass\, composed by G.F.Händel during his stay in Naples in 1708\, with a libretto by Neapolitan abbot Nicola Giuvo. The work was commissioned by Donna Cecilia Capece\, Princess of Squinzano\, for the wedding of the Duke of Alvito to Beatrice Sanseverino and is intended to sing the praises of marital fidelity.\nStylistically\, the serenade is set in the very particular expressive context of the Academy of Arcadia\, founded in Rome after the death of Christina of Sweden by a circle of literati with the aim of creating a new poetic style in antithesis to the artifices of the seventeenth century and aimed rather at exalting the simple life of shepherds\, in the name of an ideal of classicism and rationalism.\nFrom a vocal point of view\, the opera requires special technical and performance skills and especially tests the voice of the bass\, for whom Händel wrote one of the most difficult and challenging arias in the Baroque repertoire (“Fra l’ombre e gli orrori”)\, the melody of which involves a vocal range of two and a half octaves and unfolds in dizzying leaps. The female voices must also demonstrate particular gifts in coloratura embroidery and expressive intensity\, in a constant search for melodic beauty and ornamental refinements.  \nPerformers\nAci – Maddalena De Biasi\nGalatea – Emma Alessi Innocenti\nPolifemo – Yuri Guerra\nMimes – Andrea Maddalozzo\, Leandro Bertolo\, Marta Lucchese \ndirection by Cesare Scarton\nconducting Riccardo Doni\nconception Donatella Busetto \nCenacolo Musicale Orchestra\nTommaso Luison – first violin\nAlessandro Mele\, Massimiliano Tieppo\, Matteo Rozzi\, Ludovica Lanaro\, Elisa Franzini – violins\nAlessia Turri\, Michele Sguotti – violas\nGiancarlo Trimboli\, Cristina Vidoni – cellos\nMauro Zavagno – violone\nDavide Giacuzzo\, Andrea Bracco – trumpets\nGregorio Carraro – oboe/recorder\nFabiano Merlante – theorbo\nDonatella Busetto – organ \nDate event and location\n17th November\, 9:00 pm | Teatro Miela of Trieste
URL:https://emmaalessiinnocenti.com/en/event/aci-galatea-e-polifemo-teatro-miela-trieste/
LOCATION:Teatro Miela\, Piazza Duca degli Abruzzi\, 3\, Trieste\, TS\, 34132\, Italy
CATEGORIES:Opera
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/06/ARRIGONI-17-NOVEMBRE-058-scaled.jpg
ORGANIZER;CN="Barocco Europeo":MAILTO:info@barocco-europeo.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231112T170000
DTEND;TZID=Europe/Rome:20231112T183000
DTSTAMP:20260530T015216
CREATED:20240703T212242Z
LAST-MODIFIED:20250314T150245Z
UID:1576-1699808400-1699813800@emmaalessiinnocenti.com
SUMMARY:Aci\, Galatea e Polifemo - G.F. Händel | Teatro Verdi\, Gorizia
DESCRIPTION:The performance of Aci\, Galatea e Polifemo is part of the 2023 playbill of the MusicAntica Festival BAROQUE STORIES Reflections\, incroci\, rivisitazioni\, produced by the BAROCCO EUROPEO Association of Sacile (www.barocco-europeo.org) in collaboration with Epicantica and the Wunderkammer-Trieste Festival. \nAci\, Galatea e Polifemo HWV 72 by G. F. Händel is the opera chosen this year as the project for the LABORATORIO PER L’OPERA BAROCCA\, in order to create a new professional opportunity for young artists. Such Serenata has been revived at the theaters of the Friuli-Venezia-Giulia region.\nIn the roles of the protagonists will be the young winners of the Vocal Competition held precisely for the staging of the performance. The young students of NABA – New Academy of Fine Arts in Milan – have contributed their fresh inventiveness to the realization of the set design\, under the banner of a modern and appealing reading of the Baroque repertoire. Musical support will be provided by the Cenacolo Musicale orchestral ensemble\, under the direction of Riccardo Doni\, a well-known expert in the Baroque repertoire and attentive to the education of new generations.    \nAci\, Galatea e Polifemo is a Serenata for three voices for soprano\, alto and bass\, composed by G.F.Händel during his stay in Naples in 1708\, with a libretto by Neapolitan abbot Nicola Giuvo. The work was commissioned by Donna Cecilia Capece\, Princess of Squinzano\, for the wedding of the Duke of Alvito to Beatrice Sanseverino and is intended to sing the praises of marital fidelity.\nStylistically\, the serenade is set in the very particular expressive context of the Academy of Arcadia\, founded in Rome after the death of Christina of Sweden by a circle of literati with the aim of creating a new poetic style in antithesis to the artifices of the seventeenth century and aimed rather at exalting the simple life of shepherds\, in the name of an ideal of classicism and rationalism.\nFrom a vocal point of view\, the opera requires special technical and performance skills and especially tests the voice of the bass\, for whom Händel wrote one of the most difficult and challenging arias in the Baroque repertoire (“Fra l’ombre e gli orrori”)\, the melody of which involves a vocal range of two and a half octaves and unfolds in dizzying leaps. The female voices must also demonstrate particular gifts in coloratura embroidery and expressive intensity\, in a constant search for melodic beauty and ornamental refinements.  \nPerformers\nAci – Maddalena De Biasi\nGalatea – Emma Alessi Innocenti\nPolifemo – Yuri Guerra\nMimes – Andrea Maddalozzo\, Leandro Bertolo\, Marta Lucchese \ndirection by Cesare Scarton\nconducting Riccardo Doni\nconception Donatella Busetto \nCenacolo Musicale Orchestra\nTommaso Luison – first violin\nAlessandro Mele\, Massimiliano Tieppo\, Matteo Rozzi\, Ludovica Lanaro\, Elisa Franzini – violins\nAlessia Turri\, Michele Sguotti – violas\nGiancarlo Trimboli\, Cristina Vidoni – cellos\nMauro Zavagno – violone\nDavide Giacuzzo\, Andrea Bracco – trumpets\nGregorio Carraro – oboe/recorder\nFabiano Merlante – theorbo\nDonatella Busetto – organ \nDate event and location\n12th November\, 5:00 pm | Teatro Verdi of Gorizia
URL:https://emmaalessiinnocenti.com/en/event/aci-galatea-e-polifemo-teatro-verdi-gorizia/
LOCATION:Teatro Verdi of Gorizia\, Via Garibaldi\, 2/A\, Gorizia\, GO\, 34170\, Italy
CATEGORIES:Opera
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/teatro-verdi-gorizia.jpg
ORGANIZER;CN="Barocco Europeo":MAILTO:info@barocco-europeo.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230916T210000
DTEND;TZID=Europe/Rome:20230916T223000
DTSTAMP:20260530T015216
CREATED:20240704T151305Z
LAST-MODIFIED:20250314T184654Z
UID:1577-1694898000-1694903400@emmaalessiinnocenti.com
SUMMARY:Monteverdi\, "L'Orfeo" (concert form) | San Biagio Temple (Montepulciano)
DESCRIPTION:Between 1479 and 1480 the poet Agnolo Poliziano (1454-1494) wrote the play La Fabula di Orfeo; this composition was taken up over a century later by Claudio Monteverdi to compose L’Orfeo\, now recognized as the first masterpiece in the history of melodrama. \nOn Saturday\, Sept. 16\, in the Renaissance setting of the Temple of San Biagio\, L’Orfeo by Monteverdi will be performed in concert form in order to celebrate the figure of Poliziano\, a native of Montepulciano. In fact\, this event is part of the three-year celebration of the poet\, whose 570th anniversary of his birth and 530th anniversary of his death will fall in 2024.\nProtagonist of L’Orfeo will be the Etruria Barocca Ensemble led by Dimitri Betti\, concertmaster\, with the participation of the Gruppo Chiarine del Magistrato delle Contrade di Montepulciano.  \nThe event\, organized by Fondazione Cantiere Internazionale d’Arte di Montepulciano\, for an initiative by the Municipality of Montepulciano\, as well as the Municipal Library and Historical Archives “Piero Calamandrei” Montepulciano. \nEvent Date and Location\nSaturday 16th September 2023\, 9:00 pm. | San Biagio Temple\, Montepulciano\nFREE ENTRANCE
URL:https://emmaalessiinnocenti.com/en/event/monteverdi-orfeo-montepulciano/
LOCATION:San Biagio Temple\, Via di San Biagio\, 20\, Montepulciano\, SI\, 53045\, Italy
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/card_orfeo_site.jpeg
ORGANIZER;CN="Cantiere Internazionale d'Arte of Montepulciano":MAILTO:info@fondazionecantiere.it
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230525T190000
DTEND;TZID=Europe/Rome:20230525T203000
DTSTAMP:20260530T015216
CREATED:20240705T104710Z
LAST-MODIFIED:20250312T183014Z
UID:1578-1685041200-1685046600@emmaalessiinnocenti.com
SUMMARY:Concert "Sonar di tasti e cantar di musica" | Istituto degli Innocenti (Florence)
DESCRIPTION:We are pleased to announce a series of five concerts-two of which will be held at the Galleria dell’Accademia\, the other three at the Istituto degli Innocenti– with the aim of enhancing and promoting the cultural heritage of the two prestigious institutions in Florence’s historic center.\nThe series\, titled ‘Sonar di tasti e cantar di musica\,’ is part of the three-year collaboration agreement signed in March by the Istituto degli Innocenti and the Galleria dell’Accademia. This twinning will include the organization of meetings\, concerts\, exhibitions\, educational activities\, promotional initiatives and other forms of joint planning.  \nFive concerts for the cicle ‘Sonar di tasti e cantar di musica’\nThe concert program ‘Sonar di tasti e cantar di musica’ takes its cue from the discovery of how closely the Accademia Gallery and the Istituto degli Innocenti are linked in the name of music. In fact\, hitherto unpublished documents in the Historical Archives of the Innocenti have revealed that in the late Renaissance/early Baroque period\, children received at the Hospital studied and played instruments of the time such as the flute\, trombone\, cornetto and lute. Rare examples of some of these ancient instruments are now kept and displayed at the Accademia Gallery in Florence. From this connection came the idea for the cycle of five concerts\, the first of which will be May 25 at 7 p.m.    \nFree guided tours of the collection of instruments on display at the Accademia Gallery will be offered during these events. The tours will be held on the same dates as the concerts\, at 4:30 p.m.\nThe events taking place in the Innocenti spaces will be free admission subject to availability. For information write to office@inyourevent.it   \nThe Concert Programme of the 25th May | Istituto degli Innocenti\nEmma Alessi Innocenti (mezzo-soprano) and Patrizio La Placa (baritone) together with I Musici del Gran Principe Ensemble\, will perfom some Cantatas and instrumental pieces of composers like Antonio Vivaldi\, Giovanni Bononcini\, Alessandro Scarlatti\, Agostino Steffani and Arcangelo Corelli\, some of the most representative authors of the Italian Baroque. \nDate event and location\n25th May 2023\, 7:00 pm. | Istituto degli Innocenti\, Women’s courtyard
URL:https://emmaalessiinnocenti.com/en/event/concert-istituto-degli-innocenti-florence/
LOCATION:Istituto degli Innocenti\, Piazza SS. Annunziata\, 13\, Florence\, FI\, 50122\, Italy
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/IMG_20230519_102031.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230416T193000
DTEND;TZID=Europe/Rome:20230416T203000
DTSTAMP:20260530T015216
CREATED:20240707T133857Z
LAST-MODIFIED:20250314T151455Z
UID:1579-1681673400-1681677000@emmaalessiinnocenti.com
SUMMARY:Easter Concert - "Requiem" by W.A. Mozart | Florence
DESCRIPTION:Programme and Performers\nW. A. Mozart\, Requiem in D minor K. 626 \nSoprano Adina Vilichi\nMezzo-soprano Emma Alessi Innocenti\nTenor Alfonso Zambuto\nBass Bruno Filiberto \nAccademia del Diletto Choir (Choirmaster: Valentino Alfredo Zangara)\nFlorence Vocal Ensemble Choir (Choirmaster: Valentino Alfredo Zangara)\nGrassina Community Choir (Choirmaster: Francesco Romano) \nOrchestra “I concertisti” of Umbertide\nOrganist Natalia Van\nTexts read by Silvia Budri\nConductor Valentino Alfredo Zangara \nDate event and location\nApril 16\, 2023\, 7:30 p.m. | Church of St. John the Baptist at the Highway\, Campi Bisenzio (FI)
URL:https://emmaalessiinnocenti.com/en/event/easter-concert-requiem-mozart-florence/
LOCATION:Church of St. John the Baptist on the highway\, Via Limite\, 82\, Campi Bisenzio\, FI\, 50013\, Italy
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/requiem-firenze.jpg
ORGANIZER;CN="Firenze Vocal Ensemble":MAILTO:firenzevocalensemble@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230415T190000
DTEND;TZID=Europe/Rome:20230415T203000
DTSTAMP:20260530T015216
CREATED:20230405T133045Z
LAST-MODIFIED:20250314T151737Z
UID:1581-1681585200-1681590600@emmaalessiinnocenti.com
SUMMARY:Concert "Easter with Mozart and Boccherini" | Umbertide
DESCRIPTION:Programme and Performers\nW. A. Mozart\, Requiem in D minor K. 626 \nSoprano Adina Vilichi\nMezzo-soprano Emma Alessi Innocenti\nTenor Alfonso Zambuto\nBass Bruno Filiberto \nAccademia del Diletto Choir (Choirmaster: Valentino Alfredo Zangara)\nFlorence Vocal Ensemble Choir (Choirmaster: Valentino Alfredo Zangara)\nGrassina Community Choir (Choirmaster: Francesco Romano) \nOrchestra “I concertisti” of Umbertide\nConductor Valentino Alfredo Zangara \nL. Boccherini\, Concert in G major for cello and strings  \nStefano Coco\, cello\nOrchestra “I concertisti” of Umbertide \nConductor Gianfranco Contadini \nDate event and location\n15th April 2023\, 7:00 pm | Church of the risen Christ\, Umbertide
URL:https://emmaalessiinnocenti.com/en/event/concert-easter-mozart-boccherini-umbertide/
LOCATION:Church of the Risen Christ\, Viale Repubblica\, 2\, Umbertide\, PG\, 06019\, Italy
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/concerto-umbertide.jpeg
ORGANIZER;CN="Firenze Vocal Ensemble":MAILTO:firenzevocalensemble@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230205T170000
DTEND;TZID=Europe/Rome:20230205T183000
DTSTAMP:20260530T015216
CREATED:20240707T144833Z
LAST-MODIFIED:20250312T183242Z
UID:1592-1675616400-1675621800@emmaalessiinnocenti.com
SUMMARY:Lullian Concert | Teatro del Maggio Musicale Fiorentino
DESCRIPTION:On Feb. 5\, 2023\, on the podium of the Mehta Hall of the Teatro del Maggio Musicale Fiorentino we will find maestro Federico Maria Sardelli\, who will conduct a rich program all focused on the figure of Giovanni Battista Lulli/Jean Baptiste Lully\, a great Florentine-born composer who was one of the leading exponents of French Baroque music. \nMusic Programme\n\nF.M. Sardelli\, Suite composée à la mémoire immortelle de l’incomparable M.r De Lully (2009) | world premiere recording\nG.B. Lulli\, Passacaille d’Armide\, LWV 71: “Les Plaisirs ont choisi pour asile” for soloists\, choir and orchestra;\nG.B. Lulli\, Omnes gentes LWV 77/10\, petit motet per 2 soprani\, basso e basso continuo\nG.B. Lulli\, Te Deum LWV 55\, grand motet for soloists\, small choir\, big choir and orchestra\n\nPerformers\nConductor: Federico Maria Sardelli \nSoloists\nElena Bertuzzi\, Dessus\nRui Hoshina\, Dessus\nEmma Alessi Innocenti\, Bas-dessus\nAco Bišćević\, Haute-contre\nAlessio Tosi\, Taille\nMauro Borgioni\, Basse \nMaggio Musicale Fiorentino Orchestra\nRicercare Ensemble Choir (Choir Master: Rocco Adami) \nThe concert has been organized featuring the new Giovanni Battista Lulli Institute\, founded the last 28th November on the occasion of the 390th anniversary of the great composer’s birth and directed by Federico Maria Sardelli himself. \nDate event and location\n5th February 2023\, 5:00 pm | Mehta Hall of the Teatro del Maggio Musicale Fiorentino\, Florence
URL:https://emmaalessiinnocenti.com/en/event/lullian-concert-maggio-musicale-fiorentino/
LOCATION:Teatro del Maggio Musicale Fiorentino\, Piazza Vittorio Gui\, 1\, Florence\, FI\, 50144\, Italy
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/06/SARDELLI_2023_Locandina_Maggio-717x1024-1.jpg
ORGANIZER;CN="Teatro del Maggio Musicale Fiorentino":MAILTO:cortesia@maggiofiorentino.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220909T193000
DTEND;TZID=Europe/Rome:20220909T203000
DTSTAMP:20260530T015216
CREATED:20240711T085942Z
LAST-MODIFIED:20250314T153025Z
UID:1596-1662751800-1662755400@emmaalessiinnocenti.com
SUMMARY:FloReMus – CONCERT A’ BOIRE: Music in the Courts of Princes | Ensemble Baroque Lumina
DESCRIPTION:Programme\n\nC. Malvezzi (1547-1597) from the Intermedio L’Armonia delle Sfere of La Pellegrina (1589)\,\nSinfonia I for Harpsichord\, Theorbo and Viola da gamba.\nA. Archilei (1543-1612) from the Intermedio L’Armonia delle Sfere de La Pellegrina\,\nDalle più Alte sfere for Soprano\, Theorbo\, Harpsichord and Viola da gamba.\nC. Malvezzi from the intermedio Il canto d’Arione from La Pellegrina\,\nIo che l’onde raffreno for Soprano\, Theorbo\, Harpsichord and Viola da gamba.\nS. Garsi da Parma (1542 –1604) L’Aria del Gran Duca for solo Lute\nG. Caccini (1551-1618) from Le Nuove Musiche (1601)\,\nSfogava con le stelle for Soprano\, Theorbo\, Harpsichord and Viola da gamba.\nG. Frescobaldi (1583-1643) from the Second Book of Toccatas (1628)\,\nAria known as la frescobalda (Aria\, Gagliarda and Corrente) for solo harpsichord.\nG. Frescobaldi\, from the Primo libro d’arie musicali (1630)\,\nVoi partite mio Sole for Soprano\, Theorbo\, harpsichord and viola da gamba\nG. Frescobaldi\, from Primo libro delle canzoni accomodate per sonare con ogni sorte di strumenti (1628)\,\nCanzona a basso solo detta La Tromboncina for Viola da gamba\, Harpsichord and Theorbo.\nC. Monteverdi (1567-1643) from Selva Morale et Spirituale (1640-1641)\,\nLaudate Dominum for Soprano\, Theorbo\, Harpsichord and Viola da gamba.\n\nEnsemble Baroque Lumina\nEmma Alessi Innocenti: Soprano\nAndrea Benucci: Theorbo and Lute\nIris Faceto: Viola da gamba \nGiacomo Benedetti: Concertation and Harpsichord \nProgramme notes\nThe intent of the concert and our group is to popularize mainly the musical repertoire of Florentine scope ranging from the mid-1500s to the late Baroque\, using copies of original instruments and performing the pieces according to historically informed practice.\nIn this program the common thread is “recitar cantando” in its iteration from the first to the seconda prattica when Florence\, between the church of Santa Felicita\, the Camerata dei Bardi and the Pitti Palace\, was a meeting point for many composers.\nThe first composers proposed are among the earliest protagonists of the new Florentine musical form: the pieces are excerpts from the Intermediate Pellegrina commissioned in 1589 by Ferdinando I de’ Medici for the celebrations of his marriage to Christina of Lorraine and staged by Giovanni Bardi\, count of Vernio and leader of the famous Camerata de’ Bardi: A. Archilei \, C. Malvezzi\, V. Galilei\, G. Caccini were among the members of the famous symposium whose intent was to write music different from that composed by Palestrina and Zarlino\, defined as the first practice. This second practice involved a single melody subject to the text\, the focus of the expression of taste and affect\, accompanied by basso continuo; a greater freedom of writing than the strict rules of the first practice. The path continues with Girolamo Frescobaldi who\, at the invitation of Ferdinando II de’ Medici\, moved to Florence in 1630 where he composed Il primo libro delle canzoni a 1-4 voci and the Arie musicali: the expressive musical writing highlights the new practice with even greater intensity. With Claudio Monteverdi the musical journey ends: a key figure of the second practice that consolidated and elevated melodrama and sacred music by making them solemn\, brilliant and eternal.    \nDate event and location\n9th September 2022\, 7:30 pm | Murate Art District (MAD)\, Piazza delle Murate\, Florence \n 
URL:https://emmaalessiinnocenti.com/en/event/floremus-concert-a-boire-ensemble-baroque-lumina/
LOCATION:Murate Art District\, Piazza delle Murate\, Florence\, FI\, 50122\, Italy
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/png:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/Floremus_cop_0.png
ORGANIZER;CN="L'Homme Arm%C3%A9":MAILTO:informazioni@hommearme.it
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220722T180000
DTEND;TZID=Europe/Rome:20220722T220000
DTSTAMP:20260530T015216
CREATED:20240708T103304Z
LAST-MODIFIED:20250312T183406Z
UID:1598-1658512800-1658527200@emmaalessiinnocenti.com
SUMMARY:W.A. Mozart\, "Le Nozze di Figaro" | L. Cherubini Conservatory (Florence)
DESCRIPTION:The Cherubini Conservatory of Florence is pleased to announce a new production of Wolfgang Amadeus Mozart’s opera Le nozze di Figaro in collaboration with theFlorence Academy of Fine Arts. \nStarring in the two performances will be students from Cherubini’s Voice classes. \nLe Nozze di Figaro\nOpera buffa in four acts\, K 492\nLibretto byLorenzo Da Ponte (1749-1838)\nMusic by Wolfgang Amadeus Mozart (1756-1791)\nTraveling piano performance at the places of Villa Favard \nconcertmaster and conductor Valentino ZANGARA\nstaging Francesco TORRIGIANI\nscenes Alice MAGNOLFI\, Riccardo DAL CIN\, Giacomo CASSETTA\ncostumes Viola PERUZZI\nlight designer Lucilla BARONI \nCharacters and performers\nContessa Alessia GELICHI / Wenli SHAN\nConte Niccolò YACUS/Kyle SULLIVAN\nSusanna Silvia SPESSOT / Maria TORTORELLI\nFigaro Alexis MARSEPOIL / Sandro DEGL’INNOCENTI\nCherubino Emma ALESSI INNOCENTI / Viola PERUZZI\nMarcellina Raquel FERNANDEZ / Irene ZAS\nDon Bartolo Jurgis MARCINKEVICS\nDon Basilio-Don Curzio Fei HAN / Tim SCHUMACHER\nBarbarina Dina BORISOVA / Anna VIGORI\nAntonio Chuhao ZHENG \nchoir\nVittoria Brugnolo\, Sareta Bega\, Ariadne Staut Melchioretto\, Siyi Zhang\, Klaudja Bajrami\, Julia Sanchez\,\nRoberta Hima\, Francesca Palitti\, Shaofeng Tian\, Yuankun Li\, Wang Di\, Xiaoming Luo\, Bohodar Marenich \npiano Sara PALUMBO\nassistant director Viola PERUZZI\nstage assistant Francesca PALITTI \nrépétiteurs Antonella BELLETTINI\, Eun SEONG JO\nteachers of Voice Department of Cherubini Conservatory in collaboration with EOA-European Opera Academy\nCourse in Theory and Technique of Stage Interpretation \nconception\, design and construction of scenes\nAcademy of Fine Arts of Florence – Project “La Scenoplastica”\nStage designers Caterina Camiciotti\, Matilde Cianchi\, Elisa Coverchiata\, Damiano Di Benedetto\,\nCaren Desideri\, Noemi Puntorno\, Manda Djahdou\, Athena Sangemini (Master of Plastic Design\nfor theatrical scenography); Sara Sagradini\, Petra Bardelli (Bachelor of Decoration)\nTeachers Prof.ssa Maria Rosaria Manigrasso | Ornamental Plastics – Decoration\nProf. Francesco Givone | Technologies and Materials Applied to Scenography (Master)\nProf. Davide Tito | Sculpture 1 and 2 (Master) \ntailoring service Fondazione Arte della Seta Lisio – Florence: Sophen Agradi\,\nAlice Airoldi\, Elena Cadoni\, Camilla Cheloni\, Giulia Ciambellotti\, Sara Focardi\,\nMargarita Quintero\, Francesca Ravasio\ncostumes SlowCostume – Rome \nDate event and location\n22th and 23th July 2022\, 6:00 pm | Cherubini Conservatory – Venue of Villa Favard\, Via di Rocca Tedalda (Florence) \nFREE ENTRANCE with reservation at produzione@consfi.it
URL:https://emmaalessiinnocenti.com/en/event/mozart-nozze-di-figaro-cherubini-conservatory-florence/
LOCATION:Conservatorio Cherubini – Villa Favard campus\, Via di Rocca Tedalda\, 451\, Florence\, FI\, 50136\, Italy
CATEGORIES:Opera
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/Nozze_Manifesto-70x100-DEF1-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20211108T170000
DTEND;TZID=Europe/Rome:20211108T180000
DTSTAMP:20260530T015216
CREATED:20240711T102516Z
LAST-MODIFIED:20250314T135631Z
UID:1597-1636390800-1636394400@emmaalessiinnocenti.com
SUMMARY:"I hate music!" - Recital by Emma Alessi Innocenti | French Institut Florence
DESCRIPTION:Programme\nGirolamo Crescentini (1762-1846)\nCantata «Amor timido»\, from the Collection “Six Cantatas and eighteen ariettas for solo voice with fortepiano accompaniment” \nGioacchino Rossini (1792-1868)\nLa regata veneziana – Three songs in venetian dialect: I. «Anzoleta avanti la regata»\, II.«Anzoleta co passa la regata»\, III. «Anzoleta dopo la regata»\, from the collection “Péchés de vieillesse. Vol.1\, Album italiano” \nUn Rien – Allegretto in F major froma Péchés de Viellesse (piano solo) \nClaude Debussy (1862-1918)\nTrois Chansons de Bilitis\, cycle of mélodies: I. “La flûte de Pan” II. “La Chevelure” III. “Le Tombeau des Naïades”   \nLeonard Bernstein (1918-1990)\nAnniversaires «Peacefully – Andantino – Agitato scherzando (piano solo) \nI hate music!\, collection of five children’s songs for soprano and piano: I. “My Name is Barbara\,” II. “Jupiter has seven moons\,” III. “I hate music!”\, IV. “A big Indian and a little Indian\,” V. “I’m a person too.”    \nEmma Alessi Innocenti mezzo-soprano\nGianni Fabbrini piano \nDate event and location\n9th November 2021\, 5:00 pm | French Institut Florence\, Lenzi Palace\, Piazza Ognissanti 2
URL:https://emmaalessiinnocenti.com/en/event/i-hate-music-recital-emma-alessi-innocenti/
LOCATION:French Institut Florence\, Piazza Ognissanti\, 2\, Florence\, FI\, 50133\, Italy
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/istituto-francese-firenze-2021-1536x1039-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210902T210000
DTEND;TZID=Europe/Rome:20210902T223000
DTSTAMP:20260530T015216
CREATED:20240710T101446Z
LAST-MODIFIED:20250312T183527Z
UID:1599-1630616400-1630621800@emmaalessiinnocenti.com
SUMMARY:"Viaggio in Italia\, tra Napoli e Venezia" Concert | Festival Vicenza in Lirica 2021
DESCRIPTION:The Vicenza in Lirica Festival is delighted to present the concert “Viaggio in Italia\, tra Napoli e Venezia”.\nProtagonist of this event under the banner of Baroque music will be the young mezzo-soprano Emma Alessi Innocenti\, who was already on the program of the last edition of the Festival\, during which she successfully played the role of Megacle in the opera L’Olimpiade by Antonio Vivaldi. \nPerformers\nEmma Alessi Innocenti (mezzosoprano) \nArbor Musica baroque Ensemble\nViolin I\, Maximilian Simonetto\nViolin II\, Isobel Cordone\nViola\, Alessandro Dalla Libera\nCello\, Alan Dario\nViolone\, Fabio Conte\nConcertmeister at harpsichord\, M° Carlo Steno Rossi \nMusic by Antonio Caldara and Nicola Porpora \nDate event and location\n2nd September 2021\, 9:00 pm | Garden of Teatro Olimpico\, Vicenza
URL:https://emmaalessiinnocenti.com/en/event/concert-viaggio-in-italia-festival-vicenza-in-lirica-2021/
LOCATION:Garden of the Teatro Olimpico\, Stradella del Teatro Olimpico\, Vicenza\, VI\, 36100\, Italy
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/viaggio-tra-napoli-e-venezia.jpg
ORGANIZER;CN="Concetto Armonico":MAILTO:biglietteria@concettoarmonico.it
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20210617T190000
DTEND;TZID=Europe/Rome:20210617T203000
DTSTAMP:20260530T015216
CREATED:20240711T104325Z
LAST-MODIFIED:20250314T135701Z
UID:1600-1623956400-1623961800@emmaalessiinnocenti.com
SUMMARY:Concert "Gesänge und Geschichten" | Zeffirelli Foundation
DESCRIPTION:June 17 at 7 p.m. will mark the third date of the new collaboration between the Franco Zeffirelli Onlus Foundation and the Cherubini Conservatory\, which will perform every Thursday of the month at 7 p.m. in the Foundation’s Music Room.\nProtagonists of the concert will be the students of Prof. Daniela De Sanctis’ Chamber Music Class\, who will perform music by Robert Schumann and Johannes Brahms and a piece written by the very young Filippo Landi\, a student of Prof. Paolo Furlani’s Composition Class. \nPerformers\nEzio Ferrusi clarinet\nKhulan Ganzorig viola\nEmma Alessi Innocenti mezzosoprano\nFabio Fornaciari piano \nProgramme\nROBERT SCHUMANN \n«Du bist wie eine Blume»\, da Myrthen op. 25 for voice and piano \nMärchenerzälhungen op. 132 for clarinet\, viola and piano \nVier Stücke für Klarinette Viola un Klavier \n\nLebhaft\, nicht zu schnell\nLebhaft und sehr markiert\nRuhiges Tempo\, mit Zartem Ausdruck\nLebhaft\, sehr markiert\n\nFILIPPO LANDI \n“Amor Hèreos” for clarinet\, viola and piano \nJOHANNES BRAHMS \n«An die Nachtigall»\, from Four Lieder op. 46 for voice and piano \nZwei Gesänge op. 91 for alto\, viola and piano \n\n«Gestillte Sehnsucht» (Satisfied yearning)\n«GeistlichesWiegenlied» (Spiritual lullaby)\n\nReservation info\nReservations are required. Tickets cost €10 and include both the Gesänge und Geschichten concert and admission to the museum. They may be purchased up to 30 minutes before the start of the concert.
URL:https://emmaalessiinnocenti.com/en/event/concert-gesange-und-geschichten-zeffirelli-foundation/
LOCATION:Franco Zeffirelli Foundation\, Piazza di S. Firenze\, 5\, Florence\, FI\, 50122\, Italy
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/Fondazione-Franco-Zeffirelli-2021-1536x1152-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200908T210000
DTEND;TZID=Europe/Rome:20200908T233000
DTSTAMP:20260530T015216
CREATED:20240710T130623Z
LAST-MODIFIED:20250312T185539Z
UID:1601-1599598800-1599607800@emmaalessiinnocenti.com
SUMMARY:L'Olimpiade - A. Vivaldi | Teatro Olimpico di Vicenza
DESCRIPTION:L’Olimpiade by A. Vivaldi\n\n\ndramma per musica on libretto by Pietro Metastasio\nmusic by Antonio Vivaldi\nedition published byCarlo Steno Rossi\nfirst première: Venice\, 17th february 1734 \nCharacters and performers\nClistene\, Patrizio La Placa\nAristea\, Daniela Salvo\nArgene\, Francesca Lione\nLicida\, Sandro Rossi\nMegacle\, Emma Alessi Innocenti\nAminta\, Maddalena De Biasi\nAlcandro\, Elcin Huseynov\nnarrator\, Stefania Carlesso\nactors\,         Luca Rossi\, Francesco Motta \nmaster conductor and harpsichord concertmaster\, Francesco Erle \nBaroque Ensemble of the Vicenza in Lirica Festival\nviolin I\, Stefano Favretto\nviolin II\, Mauro Spinazzè\noboe\, Nicolò Dotti\noboe\, Arrigo Pietrobon\nViola\, Simone Siviero\nviola da gamba\, Marco Casonato\nviolone\, Michele Gallo\ntheorbo\, Fabiano Merlante\nbassoon\,         Michele Fattori\nharpsichord\, Carlo Steno Rossi \nstage direction\, Bepi Morassi\nassistant director\, Laura Pigozzo\ncostumes\, Carlos Tieppo\ntailoring assistant\, Sartoria Daniela\nmake-up\, Beatrice Tavares Alves Fardilha\nlight designer\, Andrea Grussu\nillustration\, Matteo Bianchi\n \nProduction of the eighth edition of the Vicenza in Lirica Festival 2020\nartistic direction Andrea Castello\norganization Concetto Armonico \n\n—– \nInfo Tickets:\nIn compliance with Covid19 regulations\, only 180 seats are available to attend the performance\, unless other new indications.\nNamed seat single sector\, without choice of seat: full € 60.00; reduced € 50.00 (under 35 and over 65) in advance sale at www.vivaticket.com or with compulsory reservation info@vicenzainlirica.it cell. 349 620 9712 | www.vicenzainlirica.it
URL:https://emmaalessiinnocenti.com/en/event/olimpiade-vivaldi-teatro-olimpico-vicenza-2/
LOCATION:Teatro Olimpico of Vicenza\, Piazza Matteotti\, 11\, Vicenza\, VI\, 36100\, Italy
CATEGORIES:Opera
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2020/07/lolimpiade-vivaldi-2020.jpg
ORGANIZER;CN="Concetto Armonico":MAILTO:biglietteria@concettoarmonico.it
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200905T210000
DTEND;TZID=Europe/Rome:20200905T233000
DTSTAMP:20260530T015216
CREATED:20240710T101941Z
LAST-MODIFIED:20250312T185435Z
UID:1602-1599339600-1599348600@emmaalessiinnocenti.com
SUMMARY:L'Olimpiade - A. Vivaldi | Teatro Olimpico di Vicenza
DESCRIPTION:L’Olimpiade by A. Vivaldi\n\n\ndramma per musica on libretto by Pietro Metastasio\nmusic by Antonio Vivaldi\nedition published byCarlo Steno Rossi\nfirst première: Venice\, 17th february 1734 \nCharacters and performers\nClistene\, Patrizio La Placa\nAristea\, Daniela Salvo\nArgene\, Francesca Lione\nLicida\, Sandro Rossi\nMegacle\, Emma Alessi Innocenti\nAminta\, Maddalena De Biasi\nAlcandro\, Elcin Huseynov\nnarrator\, Stefania Carlesso\nactors\,         Luca Rossi\, Francesco Motta \nmaster conductor and harpsichord concertmaster\, Francesco Erle \nBaroque Ensemble of the Vicenza in Lirica Festival\nviolin I\, Stefano Favretto\nviolin II\, Mauro Spinazzè\noboe\, Nicolò Dotti\noboe\, Arrigo Pietrobon\nViola\, Simone Siviero\nviola da gamba\, Marco Casonato\nviolone\, Michele Gallo\ntheorbo\, Fabiano Merlante\nbassoon\,         Michele Fattori\nharpsichord\, Carlo Steno Rossi \nstage direction\, Bepi Morassi\nassistant director\, Laura Pigozzo\ncostumes\, Carlos Tieppo\ntailoring assistant\, Sartoria Daniela\nmake-up\, Beatrice Tavares Alves Fardilha\nlight designer\, Andrea Grussu\nillustration\, Matteo Bianchi\n \nProduction of the eighth edition of the Vicenza in Lirica Festival 2020\nartistic direction Andrea Castello\norganization Concetto Armonico \n\n—– \nInfo Tickets:\nIn compliance with Covid19 regulations\, only 180 seats are available to attend the performance\, unless other new indications.\nNamed seat single sector\, without choice of seat: full € 60.00; reduced € 50.00 (under 35 and over 65) in advance sale at www.vivaticket.com or with compulsory reservation info@vicenzainlirica.it cell. 349 620 9712 | www.vicenzainlirica.it
URL:https://emmaalessiinnocenti.com/en/event/olimpiade-vivaldi-teatro-olimpico-vicenza/
LOCATION:Teatro Olimpico of Vicenza\, Piazza Matteotti\, 11\, Vicenza\, VI\, 36100\, Italy
CATEGORIES:Opera
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2020/07/lolimpiade-vivaldi-2020.jpg
ORGANIZER;CN="Concetto Armonico":MAILTO:biglietteria@concettoarmonico.it
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191123T200000
DTEND;TZID=Europe/Rome:20191123T233000
DTSTAMP:20260530T015216
CREATED:20241107T101806Z
LAST-MODIFIED:20250314T183133Z
UID:2973-1574539200-1574551800@emmaalessiinnocenti.com
SUMMARY:"Suor Angelica" | Il Trittico by Giacomo Puccini at Maggio Musicale Fiorentino
DESCRIPTION:Conductor Valerio Galli and director Denis Krief return together at the Teatro del Maggio for Puccini’s Trittico: Il tabarro\, Suor Angelica and Gianni Schicchi. Premiered on Dec. 14\, 1918 at the Metropolitan in New York to substantial acclaim\, the three operas together are a perfect balance of music and dramaturgy: they begin with a story of jealousy that ends in murder and then continue with a family tragedy and\, only at the end\, are a few laughs wrung out. Although the three works were composed to be a one-act play\, nowadays they are often separated to be paired with other similarly themed works or staged individually.   \nNew staging in co-production with Teatro del Giglio in Lucca and Teatro Lirico in Cagliari\nThe performance on 15 November 2019 will be broadcast live on Rai Radio 3 \nArtists\nConcertmaster and Conductor\, Valerio Galli\nStage direction\, scenes and costumes and light designer\, Denis Krief \nIl tabarro\nMichele\, Franco Vassallo\nGiorgetta\, María José Siri\nLuigi\, Angelo Villari\nIl Tinca\, Antonio Garès\nIl Talpa\, Eugenio Di Lieto\nLa Frugola\, Anna Maria Chiuri\nVenditore di canzonette\, Dave Monaco\nAmante\, Costanza Fontana\nAmante\, Claudio Zazzaro\nVoce di sopranino\, Thalida Marina Fogarasi\nVoce di tenorino\, Leonardo Sgroi\nMidinettes: Maria Cristina Bisogni\, Cristina Pagliai\, Sarina Rausa\, Elena Bazzo\, Elisabetta Ermini\, Delia Palmieri \nOrchestra and Choir of Maggio Musicale Fiorentino\nChoir Master Lorenzo Fratini \nSuor Angelica\nSuor Angelica\, María José Siri\nZia Principessa\, Anna Maria Chiuri\nBadessa\, Marina Ogii\nSuor Zelatrice\, Anna Malavasi\nMaestra delle Novizie\, Giada Frasconi\nSuor Genovieffa\, Costanza Fontana\nSuor Dolcina\, Nikoleta Kapetanidou\nSuora Infermiera\, Carmen Buendia\nPrima Cercatrice\, Eunsong Lim\nSeconda Cercatrice\, Francesca Longari\nPrima Novizia\, Marta Pluda\nSeconda Novizia\, Julia Costa\nPrima Conversa\, Marilena Ruta\nSeconda Conversa\, Emma Alessi Innocenti\nSuor Osmina\, Elena Cavini\nThree nuns: Daniela Losi\, Consuelo Cellai\, Amanda Ferri \nOrchestra\, Choir and Children’s Choir of Maggio Musicale Fiorentino\nChoir and Children’s Choir Master Lorenzo Fratini \nGianni Schicchi\nGianni Schicchi\, Bruno de Simone\nLauretta\, Francesca Longari\nZita\, Anna Maria Chiuri\nRinuccio\, Dave Monaco\nGherardo\, Antonio Garés\nNella\, Costanza Fontana\nGherardino\, Matteo Lantieri\nBetto di Signa\, Francesco Venuti\nSimone\, Eugenio di Lieto\nMarco\, Min Kim\nLa Ciesca\, Giada Frasconi\nMaestro Spinelloccio/Ser Amantio\, Enrico Marabelli\nGuccio\, Adam Jon\nPinellino\, Shuxin Li \nOrchestra of Maggio Musicale Fiorentino
URL:https://emmaalessiinnocenti.com/en/event/suor-angelica-maggio-musicale-fiorentino-4/
LOCATION:Teatro del Maggio Musicale Fiorentino\, Piazza Vittorio Gui\, 1\, Florence\, FI\, 50144\, Italy
CATEGORIES:Opera
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/trittico-maggio-scaled.jpg
ORGANIZER;CN="Teatro del Maggio Musicale Fiorentino":MAILTO:cortesia@maggiofiorentino.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191120T200000
DTEND;TZID=Europe/Rome:20191120T233000
DTSTAMP:20260530T015216
CREATED:20241107T094950Z
LAST-MODIFIED:20250314T183230Z
UID:2974-1574280000-1574292600@emmaalessiinnocenti.com
SUMMARY:"Suor Angelica" | Il Trittico by Giacomo Puccini at Maggio Musicale Fiorentino
DESCRIPTION:Conductor Valerio Galli and director Denis Krief return together at the Teatro del Maggio for Puccini’s Trittico: Il tabarro\, Suor Angelica and Gianni Schicchi. Premiered on Dec. 14\, 1918 at the Metropolitan in New York to substantial acclaim\, the three operas together are a perfect balance of music and dramaturgy: they begin with a story of jealousy that ends in murder and then continue with a family tragedy and\, only at the end\, are a few laughs wrung out. Although the three works were composed to be a one-act play\, nowadays they are often separated to be paired with other similarly themed works or staged individually.   \nNew staging in co-production with Teatro del Giglio in Lucca and Teatro Lirico in Cagliari\nThe performance on 15 November 2019 will be broadcast live on Rai Radio 3 \nArtists\nConcertmaster and Conductor\, Valerio Galli\nStage direction\, scenes and costumes and light designer\, Denis Krief \nIl tabarro\nMichele\, Franco Vassallo\nGiorgetta\, María José Siri\nLuigi\, Angelo Villari\nIl Tinca\, Antonio Garès\nIl Talpa\, Eugenio Di Lieto\nLa Frugola\, Anna Maria Chiuri\nVenditore di canzonette\, Dave Monaco\nAmante\, Costanza Fontana\nAmante\, Claudio Zazzaro\nVoce di sopranino\, Thalida Marina Fogarasi\nVoce di tenorino\, Leonardo Sgroi\nMidinettes: Maria Cristina Bisogni\, Cristina Pagliai\, Sarina Rausa\, Elena Bazzo\, Elisabetta Ermini\, Delia Palmieri \nOrchestra and Choir of Maggio Musicale Fiorentino\nChoir Master Lorenzo Fratini \nSuor Angelica\nSuor Angelica\, María José Siri\nZia Principessa\, Anna Maria Chiuri\nBadessa\, Marina Ogii\nSuor Zelatrice\, Anna Malavasi\nMaestra delle Novizie\, Giada Frasconi\nSuor Genovieffa\, Costanza Fontana\nSuor Dolcina\, Nikoleta Kapetanidou\nSuora Infermiera\, Carmen Buendia\nPrima Cercatrice\, Eunsong Lim\nSeconda Cercatrice\, Francesca Longari\nPrima Novizia\, Marta Pluda\nSeconda Novizia\, Julia Costa\nPrima Conversa\, Marilena Ruta\nSeconda Conversa\, Emma Alessi Innocenti\nSuor Osmina\, Elena Cavini\nThree nuns: Daniela Losi\, Consuelo Cellai\, Amanda Ferri \nOrchestra\, Choir and Children’s Choir of Maggio Musicale Fiorentino\nChoir and Children’s Choir Master Lorenzo Fratini \nGianni Schicchi\nGianni Schicchi\, Bruno de Simone\nLauretta\, Francesca Longari\nZita\, Anna Maria Chiuri\nRinuccio\, Dave Monaco\nGherardo\, Antonio Garés\nNella\, Costanza Fontana\nGherardino\, Matteo Lantieri\nBetto di Signa\, Francesco Venuti\nSimone\, Eugenio di Lieto\nMarco\, Min Kim\nLa Ciesca\, Giada Frasconi\nMaestro Spinelloccio/Ser Amantio\, Enrico Marabelli\nGuccio\, Adam Jon\nPinellino\, Shuxin Li \nOrchestra of Maggio Musicale Fiorentino
URL:https://emmaalessiinnocenti.com/en/event/suor-angelica-maggio-musicale-fiorentino-3/
LOCATION:Teatro del Maggio Musicale Fiorentino\, Piazza Vittorio Gui\, 1\, Florence\, FI\, 50144\, Italy
CATEGORIES:Opera
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/trittico-maggio-scaled.jpg
ORGANIZER;CN="Teatro del Maggio Musicale Fiorentino":MAILTO:cortesia@maggiofiorentino.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191117T153000
DTEND;TZID=Europe/Rome:20191117T190000
DTSTAMP:20260530T015217
CREATED:20241107T083402Z
LAST-MODIFIED:20250314T183318Z
UID:2792-1574004600-1574017200@emmaalessiinnocenti.com
SUMMARY:"Suor Angelica" | Il Trittico by Giacomo Puccini at Maggio Musicale Fiorentino
DESCRIPTION:Conductor Valerio Galli and director Denis Krief return together at the Teatro del Maggio for Puccini’s Trittico: Il tabarro\, Suor Angelica and Gianni Schicchi. Premiered on Dec. 14\, 1918 at the Metropolitan in New York to substantial acclaim\, the three operas together are a perfect balance of music and dramaturgy: they begin with a story of jealousy that ends in murder and then continue with a family tragedy and\, only at the end\, are a few laughs wrung out. Although the three works were composed to be a one-act play\, nowadays they are often separated to be paired with other similarly themed works or staged individually.   \nNew staging in co-production with Teatro del Giglio in Lucca and Teatro Lirico in Cagliari\nThe performance on 15 November 2019 will be broadcast live on Rai Radio 3 \nArtists\nConcertmaster and Conductor\, Valerio Galli\nStage direction\, scenes and costumes and light designer\, Denis Krief \nIl tabarro\nMichele\, Franco Vassallo\nGiorgetta\, María José Siri\nLuigi\, Angelo Villari\nIl Tinca\, Antonio Garès\nIl Talpa\, Eugenio Di Lieto\nLa Frugola\, Anna Maria Chiuri\nVenditore di canzonette\, Dave Monaco\nAmante\, Costanza Fontana\nAmante\, Claudio Zazzaro\nVoce di sopranino\, Thalida Marina Fogarasi\nVoce di tenorino\, Leonardo Sgroi\nMidinettes: Maria Cristina Bisogni\, Cristina Pagliai\, Sarina Rausa\, Elena Bazzo\, Elisabetta Ermini\, Delia Palmieri \nOrchestra and Choir of Maggio Musicale Fiorentino\nChoir Master Lorenzo Fratini \nSuor Angelica\nSuor Angelica\, María José Siri\nZia Principessa\, Anna Maria Chiuri\nBadessa\, Marina Ogii\nSuor Zelatrice\, Anna Malavasi\nMaestra delle Novizie\, Giada Frasconi\nSuor Genovieffa\, Costanza Fontana\nSuor Dolcina\, Nikoleta Kapetanidou\nSuora Infermiera\, Carmen Buendia\nPrima Cercatrice\, Eunsong Lim\nSeconda Cercatrice\, Francesca Longari\nPrima Novizia\, Marta Pluda\nSeconda Novizia\, Julia Costa\nPrima Conversa\, Marilena Ruta\nSeconda Conversa\, Emma Alessi Innocenti\nSuor Osmina\, Elena Cavini\nThree nuns: Daniela Losi\, Consuelo Cellai\, Amanda Ferri \nOrchestra\, Choir and Children’s Choir of Maggio Musicale Fiorentino\nChoir and Children’s Choir Master Lorenzo Fratini \nGianni Schicchi\nGianni Schicchi\, Bruno de Simone\nLauretta\, Francesca Longari\nZita\, Anna Maria Chiuri\nRinuccio\, Dave Monaco\nGherardo\, Antonio Garés\nNella\, Costanza Fontana\nGherardino\, Matteo Lantieri\nBetto di Signa\, Francesco Venuti\nSimone\, Eugenio di Lieto\nMarco\, Min Kim\nLa Ciesca\, Giada Frasconi\nMaestro Spinelloccio/Ser Amantio\, Enrico Marabelli\nGuccio\, Adam Jon\nPinellino\, Shuxin Li \nOrchestra of Maggio Musicale Fiorentino
URL:https://emmaalessiinnocenti.com/en/event/suor-angelica-maggio-musicale-fiorentino-2/
LOCATION:Teatro del Maggio Musicale Fiorentino\, Piazza Vittorio Gui\, 1\, Florence\, FI\, 50144\, Italy
CATEGORIES:Opera
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/trittico-maggio-scaled.jpg
ORGANIZER;CN="Teatro del Maggio Musicale Fiorentino":MAILTO:cortesia@maggiofiorentino.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191115T200000
DTEND;TZID=Europe/Rome:20191115T233000
DTSTAMP:20260530T015217
CREATED:20241106T141924Z
LAST-MODIFIED:20251030T153716Z
UID:2730-1573848000-1573860600@emmaalessiinnocenti.com
SUMMARY:"Suor Angelica" | Il Trittico by Giacomo Puccini at Maggio Musicale Fiorentino
DESCRIPTION:Conductor Valerio Galli and director Denis Krief return together at the Teatro del Maggio for Puccini’s Trittico: Il tabarro\, Suor Angelica and Gianni Schicchi. Premiered on Dec. 14\, 1918 at the Metropolitan in New York to substantial acclaim\, the three operas together are a perfect balance of music and dramaturgy: they begin with a story of jealousy that ends in murder and then continue with a family tragedy and\, only at the end\, are a few laughs wrung out. Although the three works were composed to be a one-act play\, nowadays they are often separated to be paired with other similarly themed works or staged individually.   \nNew staging in co-production with Teatro del Giglio in Lucca and Teatro Lirico in Cagliari\nThe performance on 15 November 2019 will be broadcast live on Rai Radio 3 \nArtists\nConcertmaster and Conductor\, Valerio Galli\nStage direction\, scenes and costumes and light designer\, Denis Krief \nIl tabarro\nMichele\, Franco Vassallo\nGiorgetta\, María José Siri\nLuigi\, Angelo Villari\nIl Tinca\, Antonio Garès\nIl Talpa\, Eugenio Di Lieto\nLa Frugola\, Anna Maria Chiuri\nVenditore di canzonette\, Dave Monaco\nAmante\, Costanza Fontana\nAmante\, Claudio Zazzaro\nVoce di sopranino\, Thalida Marina Fogarasi\nVoce di tenorino\, Leonardo Sgroi\nMidinettes: Maria Cristina Bisogni\, Cristina Pagliai\, Sarina Rausa\, Elena Bazzo\, Elisabetta Ermini\, Delia Palmieri \nOrchestra and Choir of Maggio Musicale Fiorentino\nChoir Master Lorenzo Fratini \nSuor Angelica\nSuor Angelica\, María José Siri\nZia Principessa\, Anna Maria Chiuri\nBadessa\, Marina Ogii\nSuor Zelatrice\, Anna Malavasi\nMaestra delle Novizie\, Giada Frasconi\nSuor Genovieffa\, Costanza Fontana\nSuor Dolcina\, Nikoleta Kapetanidou\nSuora Infermiera\, Carmen Buendia\nPrima Cercatrice\, Eunsong Lim\nSeconda Cercatrice\, Francesca Longari\nPrima Novizia\, Marta Pluda\nSeconda Novizia\, Julia Costa\nPrima Conversa\, Marilena Ruta\nSeconda Conversa\, Emma Alessi Innocenti\nSuor Osmina\, Elena Cavini\nThree nuns: Daniela Losi\, Consuelo Cellai\, Amanda Ferri \nOrchestra\, Choir and Children’s Choir of Maggio Musicale Fiorentino\nChoir and Children’s Choir Master Lorenzo Fratini \nGianni Schicchi\nGianni Schicchi\, Bruno de Simone\nLauretta\, Francesca Longari\nZita\, Anna Maria Chiuri\nRinuccio\, Dave Monaco\nGherardo\, Antonio Garés\nNella\, Costanza Fontana\nGherardino\, Matteo Lantieri\nBetto di Signa\, Francesco Venuti\nSimone\, Eugenio di Lieto\nMarco\, Min Kim\nLa Ciesca\, Giada Frasconi\nMaestro Spinelloccio/Ser Amantio\, Enrico Marabelli\nGuccio\, Adam Jon\nPinellino\, Shuxin Li \nOrchestra of Maggio Musicale Fiorentino
URL:https://emmaalessiinnocenti.com/en/event/suor-angelica-maggio-musicale-fiorentino/
LOCATION:Teatro del Maggio Musicale Fiorentino\, Piazza Vittorio Gui\, 1\, Florence\, FI\, 50144\, Italy
CATEGORIES:Opera
ATTACH;FMTTYPE=image/jpeg:https://emmaalessiinnocenti.com/wp-content/uploads/2024/07/trittico-maggio-scaled.jpg
ORGANIZER;CN="Teatro del Maggio Musicale Fiorentino":MAILTO:cortesia@maggiofiorentino.com
END:VEVENT
END:VCALENDAR