Emma Alessi Innocenti

"La Cenerentola" in concert form | Vicenza in Lirica
2025-04-15 20:00 - 22:00 (Europe/Istanbul) | Türkocağı Sahnesi, Hacettepe, 3, Türkocağı Sk. Resim Ve Heykel Müzesi , Ankara, 06230, Turkey
Next April 15 at 8 p.m., the Operetta Hall of the Ankara Museum of Sculpture and Painting will host a prestigious musical event, “Külkedisi Operasından Aryalar Konseri,” or arias from Gioachino Rossini’s opera La Cenerentola. The concert, organized by the General Direction of State Opera and Ballet of Turkey in cooperation with theEmbassy of Italy in Ankara, will feature on stage an international cast of young artists who won the prestigious Tullio Serafin Opera Competition and starred in past editions of the “Vicenza in Lirica” Festival.
Protagonists of the event will be Quan Zhou (Don Ramiro), Carlo Sgura (Dandini), Gianpiero Delle Grazie (Don Magnifico), Silvia Porcellini (Clorinda), Elisabetta Ricci (Tisbe), Emma Alessi Innocenti (Cenerentola/Külkedisi), Said Gobechiya (Alidoro) and Fausto Di Benedetto on piano.
Standing out among the promoters of the initiative is the cultural association “Concetto Armonico” with the “Vicenza in Lirica” Festival, realities that are now rooted in the international opera scene and that once again carry the name of the city of Vicenza and Tullio Serafin in Turkey as a symbol of artistic and cultural excellence.
In fact, the concert in Ankara represents the continuation of an important institutional and cultural dialogue between “Concetto Armonico” and the Embassy of Italy in Turkey, strengthened by the fruitful collaboration initiated in 2024, when the association organized as many as four concerts on the occasion of the National Day of the Italian Republic at the Ankara Opera and Ballet Theater, the Italian Embassy in Ankara, the Italian Institute of Culture in Istanbul and the Izmir Consulate, enjoying great success with the public and media attention, consolidating the Italian cultural presence in the country.
Thanks to these initiatives, Vicenza – with its architectural jewel, the Teatro Olimpico, and with “Concetto Armonico” is confirmed as an ambassador of Italian culture abroad. The “Vicenza in Lirica” Festival, which over the years has nurtured young talents now present in major European opera institutions, aims to be a bridge between generations, nations and traditions, promoting not only the beauty of bel canto, but also the value of meeting and cultural exchange.
The inclusion of this event within the Festival of Italian Creativity further underscores the high profile of the initiative, which combines art, diplomacy and cultural promotion in a highly relevant international context.
Andrea Castello, artistic director of the “Vicenza in Lirica” Festival and president of “Concetto Armonico,” stresses:
«To once again bring the name of the city of Vicenza to Turkey, thanks to the collaboration with the Italian Embassy in Ankara, is a source of great pride for us. The “Vicenza in Lirica” Festival not only trains and debuts young artists through the Tullio Serafin Opera Competition, but also takes on the task of accompanying them in international artistic growth, offering them the opportunity to perform in other countries. This is an important added value for Vicenza, which is represented in the world not only as a city of art, but also as a hothouse of talent and living culture.»

Guido Faggion

Christmas Concert | Teatro Caio Melisso (Spoleto)
2024-12-20 21:00 - 22:30 (Europe/Rome) | Teatro Caio Melisso, Piazza del Duomo, 4, Spoleto, PG, 06049, Italy
The Teatro Lirico Sperimentale is pleased to invite you to its Christmas Concert, which will be held on Friday 20 December 2024 (9 p.m.) at the Teatro Caio Melisso in Spoleto.
Free entrance, subject to availability. Free tickets will be available at www.ticketitalia.com from 10 December 2024. For information call 0743.221645.

Programme
Various authors, Christmas carols
for children’s choir
Antonio Vivaldi
Magnificat
for solos, choir, strings and organ
Camille Saint-Saëns
Oratorio de Noel
for solos, choir, harp, strings and organ
Conductor, Mauro Presazzi
Giorgia Costantino, soprano
Emma Alessi Innocenti, mezzo-soprano
Nicola Di Filippo, tenor
Andrea Ariano, bass

Choir of the Teatro Lirico Sperimentale
Children’s Choir of the Teatro Lirico Sperimentale
Orfeo Ensemble

"Suor Angelica" by G. Puccini - AMAT
2024-12-11 21:15 - 23:00 (Europe/Rome) | Teatro dei Rinnovati, Piazza il Campo, 1, Siena, SI, 53100, Italy
AMAT’s (Academy Music Art Theater) Regeneration Opera 2024 Musical Theater Review is pleased to announce the production of Giacomo Puccini’s opera Suor Angelica, on the occasion of the 100th anniversary of the composer’s death.
This project is being carried out in collaboration with Teatri di Siena (Artistic Director: Vincenzo Bocciarelli).
Performers
Suor Angelica, Cristina Rosa
La zia principessa, Irene Zas
La Badessa/La Zelatrice, Francesca Lazzeroni
La maestra delle novizie, Anastasia Egorova
Suor Genovieffa, Costanza Renai
Suor Osmina/Suor Dolcina, Keren Or Davidovitch
La suora infermiera, Alessandra Normanno
Prima conversa/Prima cercatrice, Gioia Pucci
Seconda conversa/Seconda cercatrice, Emma Alessi Innocenti
Novizia, Sara Michelassi
Conductor, Concetta Anastasi
Stage direction, Sergio Basile
Unconventional Orchestra
Date event and location
Teatro dei Rinnovati, Siena (SI), 9:15 pm.
Ticket cost: 10 € reduced price (under 20); 20 € full price.
For class groups consisting of 1 teacher and at least 10 students, the cost is €8 per student and free admission for the teacher.

Presentation of the album 'AMOR FIERO'
2024-11-22 18:00 - 19:30 (Europe/Rome) | Dischi Fenice, Via Santa Reparata 8/B, Florence, FI, 50129, Italy
Emma Alessi Innocenti and the ensemble L’armonia delle Cetre are happy to invite you to the presentation of their album ‘AMOR FIERO,’ produced by the NovAntiqua label. The CD features Six unreleased cantatas for voice, two violins and basso continuo by Baroque composer Giovanni Bononcini.
The meeting will take place in the historic Florentine music shop Dischi Fenice: short excerpts from the CD will be broadcast and commented by the musicians, who will also talk about the genesis of this record project and provide the audience with some interesting historical-musical information.
An aperitif will follow to celebrate the release of the album together.
You are all invited!
Date event and location
Friday 22th November, 6:00 pm. | Via Santa Reparata 8/B, Florence

"Aci, Galatea e Polifemo" - Ente Luglio Musicale Trapanese
2024-11-16 18:30 - 20:00 (Europe/Rome) | Complesso San Domenico, Piazza San Domenico, Trapani, TP, 91100, Italy
Music by Georg Friedrich Händel
Libretto by Nicola Giuvo

Performers
Aci Maddalena De Biasi
Galatea Emma Alessi Innocenti
Polifemo Ugo Guagliardo
Director Mirco Reina
Stage, scenes and costumes Giuseppe Amato
Instrumental Ensemble of Ente Luglio Musicale Trapanese
Date event and location
16th November 2024, 6:30 pm. | Sala Grande – Complesso San Domenico (Trapani)
Tickets are available at the Villa Margherita box office, online, through www.lugliomusicale.it or, subject to seat availability, on site up to one hour before the start of the performance.

Lyric Concert | Singers of the Teatro Lirico Sperimentale (Spoleto)
2024-09-29 18:00 - 19:30 (Europe/Rome) | Teatro Secci, Via Giandimartalo da Vitalone, Terni, TR, 05100, Italy
The Lyrical Vocal Concert will close the season of the Teatro Lirico Sperimentale and will be held on Sunday 29 September at 6.00 pm, at the Secci Theater in Terni.
Date event and location
29 September | 6:00 p.m.
Teatro Secci in Terni

Liederabend | Teatro Lirico Sperimentale (Spoleto)
2024-09-10 20:30 - 22:00 (Europe/Rome) | Pegasus Cinema Hall, Piazza Bovio, 1, Spoleto, PG, 06049, Italy
The Teatro Lirico Sperimentale of Spoleto will offer a Liederabend (Lieder Evening) as part of its season: this is an intimate and intimate performance of vocal chamber music, during which the audience can (re)discover a poetic and musical world made up of nuances, whispered expressions and precisely for that reason profound. It is the privileged access to a poetic universe that touches, with sobriety, elegance and truth, the most touching chords of the soul. The Lied is the song of the man who faces a long journey in search of the meaning of existence. Whether he finds it or not is hard to say. But the stages of the long journey are nonetheless milestones of a worthwhile experience.
During the evening many Lieder of the German tradition will be performed, with uthors like Schubert, Schumann, Brahms, Strauss and other composers who have contributed to the history of this genre.
The students of the Course for preparing debut for young opera singers of the Sperimentale will be accompanied on the piano by M° Antonio Vicentini.
Date event and location
Tuesday, September 10 | 8:30 p.m.
Pegasus Hall of Spoleto

Moschetta e Grullo / Eurilla e Beltramme | Teatro Lirico Sperimentale (Spoleto)
2024-09-06 20:30 - 2024-09-08 18:30 (Europe/Rome) | Teatro Caio Melisso, Piazza del Duomo, 4, Spoleto, PG, 06049, Italy
Intermezzi of the 18th century
The Teatro Lirico Sperimentale, in collaboration withtheUniversity of Milan – Centro Studi Pergolesi, will stage as many as two performances dedicated to the Baroque repertoire for the 2024 season.
This review has now become a traditional fixture in the theater’s playbill and is dedicated to 18th-century Intermezzi. They are short works between comic and farcical centered on two or three characters, which were performed in Neapolitan theaters during the intervals between the acts of serious operas. Intermezzi served the function of entertainment for the audience, which was highly entertained by these small operatic creations, sometimes showing even greater interest than the main serious melodrama.
This year, the Teatro Lirico Sperimentale will stage two intermezzi by Domenico Sarro, leading composer of the glorious season of the early 18th-century Neapolitan School, which played a key role in exporting Italian opera throughout Europe.
These interludes are entitled Moschetta and Grullo and Eurilla and Beltramme and were composed by Sarro himself for the interludes of two of his serious melodramas. Moschetta e Grullo is in fact the intermezzo for the opera Siroe re di Persia, which was first performed at the Teatro San Bartolomeo in Naples in 1727; Eurilla e Beltramme , on the other hand, is the intermezzo for La Partenope, the first performance of which took place in 1722 at the same theater.
The production of Moschetta e Grullo is a revival from the 2023 season, while the staging of Eurilla e Beltramme is a first performance in modern times.
Performers
Moschetta e Grullo
Music by Domenico Sarro
Critical edition by Antonio Dilella and Claudio Toscani
Moschetta: Chiara Guerra | Aloisia de Nardis
Grullo: Davide Piva | Marco Gazzini
Mimes: Vania Ficola, Valentino Pagliei
Eurilla e Beltramme
Music by Domenico Sarro
Critical edition by Benedetta Amelio
Eurilla: Emma Alessi Innocenti | Francesca Lione
Beltramme: Andrea Ariano | Marco Pierangelo Maria Guarini
Mimes: Vania Ficola, Valentino Pagliei
Direction: Pierfrancesco Borrelli
Moschetta and Grullo direction and scenes: Andrea Stanisci
Eurilla and Beltramme direction and scenes: Laura Cosso
Moschetta and Grullo costumes: Clelia De Angelis
Eurilla and Beltramme costumes: Clara Restivo
Lights: Eva Bruno
Ensemble Calamani of the Teatro Lirico Sperimentale
Technicians of the Experimental Lyric Theater
Harpsichord: Davor Krkljus
Representations
6, 7 September | 8: 30 pm
8 September | 5:00 pm
Teatro Caio Melisso, Spoleto (PG)

Procedura Penale / La smorfia | Teatro Lirico Sperimentale (Spoleto)
2024-08-29 20:30 - 2024-09-01 18:30 (Europe/Rome) | Teatro Caio Melisso, Piazza del Duomo, 4, Spoleto, PG, 06049, Italy
20th-century Opera
Procedura penale by Luciano Chailly and La smorfia by Bruno Bettinelli are two short comic operas in one act, conceived as a diptych and thus performed during the first representation at the Teatrino of Villa Olmo in Como, in 1959.
For the first time since the first performance, they are revived in their original form, in a new staging curated by the Teatro Lirico Sperimentale of Spoleto. The skillful, imaginative and surprising writing of composers Chailly and Bettinelli highlights the sophisticated and surreal comedy of their two librettists and celebrated writers: respectively Dino Buzzati and Riccardo Bacchelli.
Performers
Direction: Marco Angius
Direction: Giorgio Bongiovanni
Scenes: Andrea Stanisci
Costumes: Clelia De Angelis
Light designer: Eva Bruno
Procedura Penale

Mauritia Delormes: Aloisia de Nardis | Giorgia Costantino
Titti Stefanetti: Eleonora Benetti | Chiara Latini
Giandomenico: Marco Pierangelo Maria Guarini | Alberto Petricca
Paola Isoscele: Emma Alessi Innocenti | Francesca Lione
Dottor Polcevera: Nicola Di Filippo | Paolo Mascari
Due gemelle: Viktoria Balan e Chiara Guerra
La Smorfia
Astronio Tridapali: Davide Piva | Andrea Ariano
Adone Vigorelli: Paolo Mascari | Claudio Rocchi
Vanda Tridapali: Eleonora Benetti | Kristyna Kustkovà | Chiara Latini
Lucio Baiesi: Ferruccio Finetti | Marco Gazzini
Franco Bizzi: Federico Vita
Luigi del Fante: Nicola Di Filippo
Representations
29, 30, 31 August | 8:30 pm
1 September | 5:00 pm
Teatro Caio Melisso, Spoleto (PG)

Concert "The Secular Cantata of the Italian 18th century" | Academia Montis Regalis
2024-07-18 21:00 - 22:30 (Europe/Rome) | Stanislao Cordero Castle in Pamparato, via Marconi, 43, Pamparato, CN, 12087, Italy
Academia Montis Regalis is organizing a concert featuring the best students of the Masterclass on Seventeenth-Century Italian Cantata held last November by renowned soprano Roberta Invernizzi at Villa Mondragone (Frascati).
Programme

Sigismondo d’India, Lamento di Didone, from the collection “Le musiche a una voce – libro V”
Emma Alessi Innocenti, singing
Claudio Monteverdi, “Rosa del ciel”, from the favola pastorale L’Orfeo SV 318
Mauro Cristelli, singing
Claudio Monteverdi, Lettera amorosa, from the collection “Ottavo libro di madrigali a voce sola”
Margherita Scaramuzzino, singing
Claudio Monteverdi, Interrotte speranze, from the collection “Settimo libro di madrigali”
Emma Alessi Innocenti and Margherita Scaramuzzino, voices
Claudio Monteverdi, “Tu s’è morta” from L’Orfeo SV 318
Mauro Cristelli, singing
Francesco Lucio, Fuggi pur, o crudele, from the collection “Arie a voce sola – Libro Primo”
Margherita Scaramuzzino, singing
Claudio Monteverdi, Se pur destina, SV 142, a voce sola in genere rappresentativo e si canta senza battuta
Mauro Cristelli, singing
Barbara Strozzi, Per un bacio, from the collection “Diporti di Euterpe”
Emma Alessi Innocenti, singing
Claudio Monteverdi, In un fiorito prato, from L’Orfeo SV 318
Margherita Scaramuzzino, singing
Claudio Monteverdi, Bel pastor, from the collection “Nono libro di madrigali”
Emma Alessi Innocenti and Mauro Cristelli, voices

Performers
Emma Alessi Innocenti and Margherita Scaramuzzino, mezzo-sopranos
Mauro Cristelli, tenor
Chamber Ensemble of the Academia Montis Regalis
Elisabetta Ferri, harpsichord
Francesco Mattacchione, cello
Date event and location
8th July 2024, 9:00 pm. | Council Chamber of the Stanislao Cordero of Pamparato Castle

Aci, Galatea e Polifemo - G.F. Händel | Teatro Arrigoni, S. Vito al Tagliamento
2023-11-19 17:00 - 18:30 (Europe/Rome) | Teatro Arrigoni in S. Vito al Tagliamento, Piazza del Popolo, 38, San Vito al Tagliamento, PN, 33078, Italy
The performance of Aci, Galatea e Polifemo is part of the 2023 playbill of the MusicAntica Festival BAROQUE STORIES Reflections, incroci, rivisitazioni, produced by the BAROCCO EUROPEO Association of Sacile (www.barocco-europeo.org) in collaboration with Epicantica and the Wunderkammer-Trieste Festival.
Aci, Galatea e Polifemo HWV 72 by G. F. Händel is the opera chosen this year as the project for the LABORATORIO PER L’OPERA BAROCCA, in order to create a new professional opportunity for young artists. Such Serenata has been revived at the theaters of the Friuli-Venezia-Giulia region.
In the roles of the protagonists will be the young winners of the Vocal Competition held precisely for the staging of the performance. The young students of NABA – New Academy of Fine Arts in Milan – have contributed their fresh inventiveness to the realization of the set design, under the banner of a modern and appealing reading of the Baroque repertoire. Musical support will be provided by the Cenacolo Musicale orchestral ensemble, under the direction of Riccardo Doni, a well-known expert in the Baroque repertoire and attentive to the education of new generations.
Aci, Galatea e Polifemo is a Serenata for three voices for soprano, alto and bass, composed by G.F.Händel during his stay in Naples in 1708, with a libretto by Neapolitan abbot Nicola Giuvo. The work was commissioned by Donna Cecilia Capece, Princess of Squinzano, for the wedding of the Duke of Alvito to Beatrice Sanseverino and is intended to sing the praises of marital fidelity.
Stylistically, the serenade is set in the very particular expressive context of the Academy of Arcadia, founded in Rome after the death of Christina of Sweden by a circle of literati with the aim of creating a new poetic style in antithesis to the artifices of the seventeenth century and aimed rather at exalting the simple life of shepherds, in the name of an ideal of classicism and rationalism.
From a vocal point of view, the opera requires special technical and performance skills and especially tests the voice of the bass, for whom Händel wrote one of the most difficult and challenging arias in the Baroque repertoire (“Fra l’ombre e gli orrori”), the melody of which involves a vocal range of two and a half octaves and unfolds in dizzying leaps. The female voices must also demonstrate particular gifts in coloratura embroidery and expressive intensity, in a constant search for melodic beauty and ornamental refinements.
Performers
Aci – Maddalena De Biasi
Galatea – Emma Alessi Innocenti
Polifemo – Yuri Guerra
Mimes – Andrea Maddalozzo, Leandro Bertolo, Marta Lucchese
direction by Cesare Scarton
conducting Riccardo Doni
conception Donatella Busetto
Cenacolo Musicale Orchestra
Tommaso Luison – first violin
Alessandro Mele, Massimiliano Tieppo, Matteo Rozzi, Ludovica Lanaro, Elisa Franzini – violins
Alessia Turri, Michele Sguotti – violas
Giancarlo Trimboli, Cristina Vidoni – cellos
Mauro Zavagno – violone
Davide Giacuzzo, Andrea Bracco – trumpets
Gregorio Carraro – oboe/recorder
Fabiano Merlante – theorbo
Donatella Busetto – organ
Date event and location
19th November, 5:00 pm. | Teatro Arrigoni in San Vito al Tagliamento

Aci, Galatea e Polifemo - G.F. Händel | Teatro Miela, Trieste
2023-11-17 21:00 - 22:30 (Europe/Rome) | Teatro Miela, Piazza Duca degli Abruzzi, 3, Trieste, TS, 34132, Italy
The performance of Aci, Galatea e Polifemo is part of the 2023 playbill of the MusicAntica Festival BAROQUE STORIES Reflections, incroci, rivisitazioni, produced by the BAROCCO EUROPEO Association of Sacile (www.barocco-europeo.org) in collaboration with Epicantica and the Wunderkammer-Trieste Festival.
Aci, Galatea e Polifemo HWV 72 by G. F. Händel is the opera chosen this year as the project for the LABORATORIO PER L’OPERA BAROCCA, in order to create a new professional opportunity for young artists. Such Serenata has been revived at the theaters of the Friuli-Venezia-Giulia region.
In the roles of the protagonists will be the young winners of the Vocal Competition held precisely for the staging of the performance. The young students of NABA – New Academy of Fine Arts in Milan – have contributed their fresh inventiveness to the realization of the set design, under the banner of a modern and appealing reading of the Baroque repertoire. Musical support will be provided by the Cenacolo Musicale orchestral ensemble, under the direction of Riccardo Doni, a well-known expert in the Baroque repertoire and attentive to the education of new generations.
Aci, Galatea e Polifemo is a Serenata for three voices for soprano, alto and bass, composed by G.F.Händel during his stay in Naples in 1708, with a libretto by Neapolitan abbot Nicola Giuvo. The work was commissioned by Donna Cecilia Capece, Princess of Squinzano, for the wedding of the Duke of Alvito to Beatrice Sanseverino and is intended to sing the praises of marital fidelity.
Stylistically, the serenade is set in the very particular expressive context of the Academy of Arcadia, founded in Rome after the death of Christina of Sweden by a circle of literati with the aim of creating a new poetic style in antithesis to the artifices of the seventeenth century and aimed rather at exalting the simple life of shepherds, in the name of an ideal of classicism and rationalism.
From a vocal point of view, the opera requires special technical and performance skills and especially tests the voice of the bass, for whom Händel wrote one of the most difficult and challenging arias in the Baroque repertoire (“Fra l’ombre e gli orrori”), the melody of which involves a vocal range of two and a half octaves and unfolds in dizzying leaps. The female voices must also demonstrate particular gifts in coloratura embroidery and expressive intensity, in a constant search for melodic beauty and ornamental refinements.
Performers
Aci – Maddalena De Biasi
Galatea – Emma Alessi Innocenti
Polifemo – Yuri Guerra
Mimes – Andrea Maddalozzo, Leandro Bertolo, Marta Lucchese
direction by Cesare Scarton
conducting Riccardo Doni
conception Donatella Busetto
Cenacolo Musicale Orchestra
Tommaso Luison – first violin
Alessandro Mele, Massimiliano Tieppo, Matteo Rozzi, Ludovica Lanaro, Elisa Franzini – violins
Alessia Turri, Michele Sguotti – violas
Giancarlo Trimboli, Cristina Vidoni – cellos
Mauro Zavagno – violone
Davide Giacuzzo, Andrea Bracco – trumpets
Gregorio Carraro – oboe/recorder
Fabiano Merlante – theorbo
Donatella Busetto – organ
Date event and location
17th November, 9:00 pm | Teatro Miela of Trieste

Aci, Galatea e Polifemo - G.F. Händel | Teatro Verdi, Gorizia
2023-11-12 17:00 - 18:30 (Europe/Rome) | Teatro Verdi of Gorizia, Via Garibaldi, 2/A, Gorizia, GO, 34170, Italy
The performance of Aci, Galatea e Polifemo is part of the 2023 playbill of the MusicAntica Festival BAROQUE STORIES Reflections, incroci, rivisitazioni, produced by the BAROCCO EUROPEO Association of Sacile (www.barocco-europeo.org) in collaboration with Epicantica and the Wunderkammer-Trieste Festival.
Aci, Galatea e Polifemo HWV 72 by G. F. Händel is the opera chosen this year as the project for the LABORATORIO PER L’OPERA BAROCCA, in order to create a new professional opportunity for young artists. Such Serenata has been revived at the theaters of the Friuli-Venezia-Giulia region.
In the roles of the protagonists will be the young winners of the Vocal Competition held precisely for the staging of the performance. The young students of NABA – New Academy of Fine Arts in Milan – have contributed their fresh inventiveness to the realization of the set design, under the banner of a modern and appealing reading of the Baroque repertoire. Musical support will be provided by the Cenacolo Musicale orchestral ensemble, under the direction of Riccardo Doni, a well-known expert in the Baroque repertoire and attentive to the education of new generations.
Aci, Galatea e Polifemo is a Serenata for three voices for soprano, alto and bass, composed by G.F.Händel during his stay in Naples in 1708, with a libretto by Neapolitan abbot Nicola Giuvo. The work was commissioned by Donna Cecilia Capece, Princess of Squinzano, for the wedding of the Duke of Alvito to Beatrice Sanseverino and is intended to sing the praises of marital fidelity.
Stylistically, the serenade is set in the very particular expressive context of the Academy of Arcadia, founded in Rome after the death of Christina of Sweden by a circle of literati with the aim of creating a new poetic style in antithesis to the artifices of the seventeenth century and aimed rather at exalting the simple life of shepherds, in the name of an ideal of classicism and rationalism.
From a vocal point of view, the opera requires special technical and performance skills and especially tests the voice of the bass, for whom Händel wrote one of the most difficult and challenging arias in the Baroque repertoire (“Fra l’ombre e gli orrori”), the melody of which involves a vocal range of two and a half octaves and unfolds in dizzying leaps. The female voices must also demonstrate particular gifts in coloratura embroidery and expressive intensity, in a constant search for melodic beauty and ornamental refinements.
Performers
Aci – Maddalena De Biasi
Galatea – Emma Alessi Innocenti
Polifemo – Yuri Guerra
Mimes – Andrea Maddalozzo, Leandro Bertolo, Marta Lucchese
direction by Cesare Scarton
conducting Riccardo Doni
conception Donatella Busetto
Cenacolo Musicale Orchestra
Tommaso Luison – first violin
Alessandro Mele, Massimiliano Tieppo, Matteo Rozzi, Ludovica Lanaro, Elisa Franzini – violins
Alessia Turri, Michele Sguotti – violas
Giancarlo Trimboli, Cristina Vidoni – cellos
Mauro Zavagno – violone
Davide Giacuzzo, Andrea Bracco – trumpets
Gregorio Carraro – oboe/recorder
Fabiano Merlante – theorbo
Donatella Busetto – organ
Date event and location
12th November, 5:00 pm | Teatro Verdi of Gorizia

Monteverdi, "L'Orfeo" (concert form) | San Biagio Temple (Montepulciano)
2023-09-16 21:00 - 22:30 (Europe/Rome) | San Biagio Temple, Via di San Biagio, 20, Montepulciano, SI, 53045, Italy
Between 1479 and 1480 the poet Agnolo Poliziano (1454-1494) wrote the play La Fabula di Orfeo; this composition was taken up over a century later by Claudio Monteverdi to compose L’Orfeo, now recognized as the first masterpiece in the history of melodrama.
On Saturday, Sept. 16, in the Renaissance setting of the Temple of San Biagio, L’Orfeo by Monteverdi will be performed in concert form in order to celebrate the figure of Poliziano, a native of Montepulciano. In fact, this event is part of the three-year celebration of the poet, whose 570th anniversary of his birth and 530th anniversary of his death will fall in 2024.
Protagonist of L’Orfeo will be the Etruria Barocca Ensemble led by Dimitri Betti, concertmaster, with the participation of the Gruppo Chiarine del Magistrato delle Contrade di Montepulciano.
The event, organized by Fondazione Cantiere Internazionale d’Arte di Montepulciano, for an initiative by the Municipality of Montepulciano, as well as the Municipal Library and Historical Archives “Piero Calamandrei” Montepulciano.
Event Date and Location
Saturday 16th September 2023, 9:00 pm. | San Biagio Temple, Montepulciano
FREE ENTRANCE

Concert "Sonar di tasti e cantar di musica" | Istituto degli Innocenti (Florence)
2023-05-25 19:00 - 20:30 (Europe/Rome) | Istituto degli Innocenti, Piazza SS. Annunziata, 13, Florence, FI, 50122, Italy
We are pleased to announce a series of five concerts-two of which will be held at the Galleria dell’Accademia, the other three at the Istituto degli Innocenti– with the aim of enhancing and promoting the cultural heritage of the two prestigious institutions in Florence’s historic center.
The series, titled ‘Sonar di tasti e cantar di musica,’ is part of the three-year collaboration agreement signed in March by the Istituto degli Innocenti and the Galleria dell’Accademia. This twinning will include the organization of meetings, concerts, exhibitions, educational activities, promotional initiatives and other forms of joint planning.
Five concerts for the cicle ‘Sonar di tasti e cantar di musica’
The concert program ‘Sonar di tasti e cantar di musica’ takes its cue from the discovery of how closely the Accademia Gallery and the Istituto degli Innocenti are linked in the name of music. In fact, hitherto unpublished documents in the Historical Archives of the Innocenti have revealed that in the late Renaissance/early Baroque period, children received at the Hospital studied and played instruments of the time such as the flute, trombone, cornetto and lute. Rare examples of some of these ancient instruments are now kept and displayed at the Accademia Gallery in Florence. From this connection came the idea for the cycle of five concerts, the first of which will be May 25 at 7 p.m.
Free guided tours of the collection of instruments on display at the Accademia Gallery will be offered during these events. The tours will be held on the same dates as the concerts, at 4:30 p.m.
The events taking place in the Innocenti spaces will be free admission subject to availability. For information write to office@inyourevent.it
The Concert Programme of the 25th May | Istituto degli Innocenti
Emma Alessi Innocenti (mezzo-soprano) and Patrizio La Placa (baritone) together with I Musici del Gran Principe Ensemble, will perfom some Cantatas and instrumental pieces of composers like Antonio Vivaldi, Giovanni Bononcini, Alessandro Scarlatti, Agostino Steffani and Arcangelo Corelli, some of the most representative authors of the Italian Baroque.
Date event and location
25th May 2023, 7:00 pm. | Istituto degli Innocenti, Women’s courtyard

Easter Concert - "Requiem" by W.A. Mozart | Florence
2023-04-16 19:30 - 20:30 (Europe/Rome) | Church of St. John the Baptist on the highway, Via Limite, 82, Campi Bisenzio, FI, 50013, Italy
Programme and Performers
W. A. Mozart, Requiem in D minor K. 626
Soprano Adina Vilichi
Mezzo-soprano Emma Alessi Innocenti
Tenor Alfonso Zambuto
Bass Bruno Filiberto
Accademia del Diletto Choir (Choirmaster: Valentino Alfredo Zangara)
Florence Vocal Ensemble Choir (Choirmaster: Valentino Alfredo Zangara)
Grassina Community Choir (Choirmaster: Francesco Romano)
Orchestra “I concertisti” of Umbertide
Organist Natalia Van
Texts read by Silvia Budri
Conductor Valentino Alfredo Zangara
Date event and location
April 16, 2023, 7:30 p.m. | Church of St. John the Baptist at the Highway, Campi Bisenzio (FI)

Concert "Easter with Mozart and Boccherini" | Umbertide
2023-04-15 19:00 - 20:30 (Europe/Rome) | Church of the Risen Christ, Viale Repubblica, 2, Umbertide, PG, 06019, Italy
Programme and Performers
W. A. Mozart, Requiem in D minor K. 626
Soprano Adina Vilichi
Mezzo-soprano Emma Alessi Innocenti
Tenor Alfonso Zambuto
Bass Bruno Filiberto
Accademia del Diletto Choir (Choirmaster: Valentino Alfredo Zangara)
Florence Vocal Ensemble Choir (Choirmaster: Valentino Alfredo Zangara)
Grassina Community Choir (Choirmaster: Francesco Romano)
Orchestra “I concertisti” of Umbertide
Conductor Valentino Alfredo Zangara
L. Boccherini, Concert in G major for cello and strings
Stefano Coco, cello
Orchestra “I concertisti” of Umbertide
Conductor Gianfranco Contadini
Date event and location
15th April 2023, 7:00 pm | Church of the risen Christ, Umbertide

Lullian Concert | Teatro del Maggio Musicale Fiorentino
2023-02-05 17:00 - 18:30 (Europe/Rome) | Teatro del Maggio Musicale Fiorentino, Piazza Vittorio Gui, 1, Florence, FI, 50144, Italy
On Feb. 5, 2023, on the podium of the Mehta Hall of the Teatro del Maggio Musicale Fiorentino we will find maestro Federico Maria Sardelli, who will conduct a rich program all focused on the figure of Giovanni Battista Lulli/Jean Baptiste Lully, a great Florentine-born composer who was one of the leading exponents of French Baroque music.
Music Programme

F.M. Sardelli, Suite composée à la mémoire immortelle de l’incomparable M.r De Lully (2009) | world premiere recording
G.B. Lulli, Passacaille d’Armide, LWV 71: “Les Plaisirs ont choisi pour asile” for soloists, choir and orchestra;
G.B. Lulli, Omnes gentes LWV 77/10, petit motet per 2 soprani, basso e basso continuo
G.B. Lulli, Te Deum LWV 55, grand motet for soloists, small choir, big choir and orchestra

Performers
Conductor: Federico Maria Sardelli
Soloists
Elena Bertuzzi, Dessus
Rui Hoshina, Dessus
Emma Alessi Innocenti, Bas-dessus
Aco Bišćević, Haute-contre
Alessio Tosi, Taille
Mauro Borgioni, Basse
Maggio Musicale Fiorentino Orchestra
Ricercare Ensemble Choir (Choir Master: Rocco Adami)
The concert has been organized featuring the new Giovanni Battista Lulli Institute, founded the last 28th November on the occasion of the 390th anniversary of the great composer’s birth and directed by Federico Maria Sardelli himself.
Date event and location
5th February 2023, 5:00 pm | Mehta Hall of the Teatro del Maggio Musicale Fiorentino, Florence

FloReMus – CONCERT A’ BOIRE: Music in the Courts of Princes | Ensemble Baroque Lumina
2022-09-09 19:30 - 20:30 (Europe/Rome) | Murate Art District, Piazza delle Murate, Florence, FI, 50122, Italy
Programme

C. Malvezzi (1547-1597) from the Intermedio L’Armonia delle Sfere of La Pellegrina (1589),
Sinfonia I for Harpsichord, Theorbo and Viola da gamba.
A. Archilei (1543-1612) from the Intermedio L’Armonia delle Sfere de La Pellegrina,
Dalle più Alte sfere for Soprano, Theorbo, Harpsichord and Viola da gamba.
C. Malvezzi from the intermedio Il canto d’Arione from La Pellegrina,
Io che l’onde raffreno for Soprano, Theorbo, Harpsichord and Viola da gamba.
S. Garsi da Parma (1542 –1604) L’Aria del Gran Duca for solo Lute
G. Caccini (1551-1618) from Le Nuove Musiche (1601),
Sfogava con le stelle for Soprano, Theorbo, Harpsichord and Viola da gamba.
G. Frescobaldi (1583-1643) from the Second Book of Toccatas (1628),
Aria known as la frescobalda (Aria, Gagliarda and Corrente) for solo harpsichord.
G. Frescobaldi, from the Primo libro d’arie musicali (1630),
Voi partite mio Sole for Soprano, Theorbo, harpsichord and viola da gamba
G. Frescobaldi, from Primo libro delle canzoni accomodate per sonare con ogni sorte di strumenti (1628),
Canzona a basso solo detta La Tromboncina for Viola da gamba, Harpsichord and Theorbo.
C. Monteverdi (1567-1643) from Selva Morale et Spirituale (1640-1641),
Laudate Dominum for Soprano, Theorbo, Harpsichord and Viola da gamba.

Ensemble Baroque Lumina
Emma Alessi Innocenti: Soprano
Andrea Benucci: Theorbo and Lute
Iris Faceto: Viola da gamba
Giacomo Benedetti: Concertation and Harpsichord
Programme notes
The intent of the concert and our group is to popularize mainly the musical repertoire of Florentine scope ranging from the mid-1500s to the late Baroque, using copies of original instruments and performing the pieces according to historically informed practice.
In this program the common thread is “recitar cantando” in its iteration from the first to the seconda prattica when Florence, between the church of Santa Felicita, the Camerata dei Bardi and the Pitti Palace, was a meeting point for many composers.
The first composers proposed are among the earliest protagonists of the new Florentine musical form: the pieces are excerpts from the Intermediate Pellegrina commissioned in 1589 by Ferdinando I de’ Medici for the celebrations of his marriage to Christina of Lorraine and staged by Giovanni Bardi, count of Vernio and leader of the famous Camerata de’ Bardi: A. Archilei , C. Malvezzi, V. Galilei, G. Caccini were among the members of the famous symposium whose intent was to write music different from that composed by Palestrina and Zarlino, defined as the first practice. This second practice involved a single melody subject to the text, the focus of the expression of taste and affect, accompanied by basso continuo; a greater freedom of writing than the strict rules of the first practice. The path continues with Girolamo Frescobaldi who, at the invitation of Ferdinando II de’ Medici, moved to Florence in 1630 where he composed Il primo libro delle canzoni a 1-4 voci and the Arie musicali: the expressive musical writing highlights the new practice with even greater intensity. With Claudio Monteverdi the musical journey ends: a key figure of the second practice that consolidated and elevated melodrama and sacred music by making them solemn, brilliant and eternal.
Date event and location
9th September 2022, 7:30 pm | Murate Art District (MAD), Piazza delle Murate, Florence

W.A. Mozart, "Le Nozze di Figaro" | L. Cherubini Conservatory (Florence)
2022-07-22 18:00 - 22:00 (Europe/Rome) | Conservatorio Cherubini – Villa Favard campus, Via di Rocca Tedalda, 451, Florence, FI, 50136, Italy
The Cherubini Conservatory of Florence is pleased to announce a new production of Wolfgang Amadeus Mozart’s opera Le nozze di Figaro in collaboration with theFlorence Academy of Fine Arts.
Starring in the two performances will be students from Cherubini’s Voice classes.
Le Nozze di Figaro
Opera buffa in four acts, K 492
Libretto byLorenzo Da Ponte (1749-1838)
Music by Wolfgang Amadeus Mozart (1756-1791)
Traveling piano performance at the places of Villa Favard
concertmaster and conductor Valentino ZANGARA
staging Francesco TORRIGIANI
scenes Alice MAGNOLFI, Riccardo DAL CIN, Giacomo CASSETTA
costumes Viola PERUZZI
light designer Lucilla BARONI
Characters and performers
Contessa Alessia GELICHI / Wenli SHAN
Conte Niccolò YACUS/Kyle SULLIVAN
Susanna Silvia SPESSOT / Maria TORTORELLI
Figaro Alexis MARSEPOIL / Sandro DEGL’INNOCENTI
Cherubino Emma ALESSI INNOCENTI / Viola PERUZZI
Marcellina Raquel FERNANDEZ / Irene ZAS
Don Bartolo Jurgis MARCINKEVICS
Don Basilio-Don Curzio Fei HAN / Tim SCHUMACHER
Barbarina Dina BORISOVA / Anna VIGORI
Antonio Chuhao ZHENG
choir
Vittoria Brugnolo, Sareta Bega, Ariadne Staut Melchioretto, Siyi Zhang, Klaudja Bajrami, Julia Sanchez,
Roberta Hima, Francesca Palitti, Shaofeng Tian, Yuankun Li, Wang Di, Xiaoming Luo, Bohodar Marenich
piano Sara PALUMBO
assistant director Viola PERUZZI
stage assistant Francesca PALITTI
répétiteurs Antonella BELLETTINI, Eun SEONG JO
teachers of Voice Department of Cherubini Conservatory in collaboration with EOA-European Opera Academy
Course in Theory and Technique of Stage Interpretation
conception, design and construction of scenes
Academy of Fine Arts of Florence – Project “La Scenoplastica”
Stage designers Caterina Camiciotti, Matilde Cianchi, Elisa Coverchiata, Damiano Di Benedetto,
Caren Desideri, Noemi Puntorno, Manda Djahdou, Athena Sangemini (Master of Plastic Design
for theatrical scenography); Sara Sagradini, Petra Bardelli (Bachelor of Decoration)
Teachers Prof.ssa Maria Rosaria Manigrasso | Ornamental Plastics – Decoration
Prof. Francesco Givone | Technologies and Materials Applied to Scenography (Master)
Prof. Davide Tito | Sculpture 1 and 2 (Master)
tailoring service Fondazione Arte della Seta Lisio – Florence: Sophen Agradi,
Alice Airoldi, Elena Cadoni, Camilla Cheloni, Giulia Ciambellotti, Sara Focardi,
Margarita Quintero, Francesca Ravasio
costumes SlowCostume – Rome
Date event and location
22th and 23th July 2022, 6:00 pm | Cherubini Conservatory – Venue of Villa Favard, Via di Rocca Tedalda (Florence)
FREE ENTRANCE with reservation at produzione@consfi.it

"I hate music!" - Recital by Emma Alessi Innocenti | French Institut Florence
2021-11-08 17:00 - 18:00 (Europe/Rome) | French Institut Florence, Piazza Ognissanti, 2, Florence, FI, 50133, Italy
Programme
Girolamo Crescentini (1762-1846)
Cantata «Amor timido», from the Collection “Six Cantatas and eighteen ariettas for solo voice with fortepiano accompaniment”
Gioacchino Rossini (1792-1868)
La regata veneziana – Three songs in venetian dialect: I. «Anzoleta avanti la regata», II.«Anzoleta co passa la regata», III. «Anzoleta dopo la regata», from the collection “Péchés de vieillesse. Vol.1, Album italiano”
Un Rien – Allegretto in F major froma Péchés de Viellesse (piano solo)
Claude Debussy (1862-1918)
Trois Chansons de Bilitis, cycle of mélodies: I. “La flûte de Pan” II. “La Chevelure” III. “Le Tombeau des Naïades”
Leonard Bernstein (1918-1990)
Anniversaires «Peacefully – Andantino – Agitato scherzando (piano solo)
I hate music!, collection of five children’s songs for soprano and piano: I. “My Name is Barbara,” II. “Jupiter has seven moons,” III. “I hate music!”, IV. “A big Indian and a little Indian,” V. “I’m a person too.”
Emma Alessi Innocenti mezzo-soprano
Gianni Fabbrini piano
Date event and location
9th November 2021, 5:00 pm | French Institut Florence, Lenzi Palace, Piazza Ognissanti 2

"Viaggio in Italia, tra Napoli e Venezia" Concert | Festival Vicenza in Lirica 2021
2021-09-02 21:00 - 22:30 (Europe/Rome) | Garden of the Teatro Olimpico, Stradella del Teatro Olimpico, Vicenza, VI, 36100, Italy
The Vicenza in Lirica Festival is delighted to present the concert “Viaggio in Italia, tra Napoli e Venezia”.
Protagonist of this event under the banner of Baroque music will be the young mezzo-soprano Emma Alessi Innocenti, who was already on the program of the last edition of the Festival, during which she successfully played the role of Megacle in the opera L’Olimpiade by Antonio Vivaldi.
Performers
Emma Alessi Innocenti (mezzosoprano)
Arbor Musica baroque Ensemble
Violin I, Maximilian Simonetto
Violin II, Isobel Cordone
Viola, Alessandro Dalla Libera
Cello, Alan Dario
Violone, Fabio Conte
Concertmeister at harpsichord, M° Carlo Steno Rossi
Music by Antonio Caldara and Nicola Porpora
Date event and location
2nd September 2021, 9:00 pm | Garden of Teatro Olimpico, Vicenza

Concert "Gesänge und Geschichten" | Zeffirelli Foundation
2021-06-17 19:00 - 20:30 (Europe/Rome) | Franco Zeffirelli Foundation, Piazza di S. Firenze, 5, Florence, FI, 50122, Italy
June 17 at 7 p.m. will mark the third date of the new collaboration between the Franco Zeffirelli Onlus Foundation and the Cherubini Conservatory, which will perform every Thursday of the month at 7 p.m. in the Foundation’s Music Room.
Protagonists of the concert will be the students of Prof. Daniela De Sanctis’ Chamber Music Class, who will perform music by Robert Schumann and Johannes Brahms and a piece written by the very young Filippo Landi, a student of Prof. Paolo Furlani’s Composition Class.
Performers
Ezio Ferrusi clarinet
Khulan Ganzorig viola
Emma Alessi Innocenti mezzosoprano
Fabio Fornaciari piano
Programme
ROBERT SCHUMANN
«Du bist wie eine Blume», da Myrthen op. 25 for voice and piano
Märchenerzälhungen op. 132 for clarinet, viola and piano
Vier Stücke für Klarinette Viola un Klavier

Lebhaft, nicht zu schnell
Lebhaft und sehr markiert
Ruhiges Tempo, mit Zartem Ausdruck
Lebhaft, sehr markiert

FILIPPO LANDI
“Amor Hèreos” for clarinet, viola and piano
JOHANNES BRAHMS
«An die Nachtigall», from Four Lieder op. 46 for voice and piano
Zwei Gesänge op. 91 for alto, viola and piano

«Gestillte Sehnsucht» (Satisfied yearning)
«GeistlichesWiegenlied» (Spiritual lullaby)

Reservation info
Reservations are required. Tickets cost €10 and include both the Gesänge und Geschichten concert and admission to the museum. They may be purchased up to 30 minutes before the start of the concert.

L'Olimpiade - A. Vivaldi | Teatro Olimpico di Vicenza
2020-09-08 21:00 - 23:30, 2020-09-05 21:00 - 23:30 (Europe/Rome) | Teatro Olimpico of Vicenza, Piazza Matteotti, 11, Vicenza, VI, 36100, Italy
L’Olimpiade by A. Vivaldi

dramma per musica on libretto by Pietro Metastasio
music by Antonio Vivaldi
edition published byCarlo Steno Rossi
first première: Venice, 17th february 1734
Characters and performers
Clistene, Patrizio La Placa
Aristea, Daniela Salvo
Argene, Francesca Lione
Licida, Sandro Rossi
Megacle, Emma Alessi Innocenti
Aminta, Maddalena De Biasi
Alcandro, Elcin Huseynov
narrator, Stefania Carlesso
actors, Luca Rossi, Francesco Motta
master conductor and harpsichord concertmaster, Francesco Erle
Baroque Ensemble of the Vicenza in Lirica Festival
violin I, Stefano Favretto
violin II, Mauro Spinazzè
oboe, Nicolò Dotti
oboe, Arrigo Pietrobon
Viola, Simone Siviero
viola da gamba, Marco Casonato
violone, Michele Gallo
theorbo, Fabiano Merlante
bassoon, Michele Fattori
harpsichord, Carlo Steno Rossi
stage direction, Bepi Morassi
assistant director, Laura Pigozzo
costumes, Carlos Tieppo
tailoring assistant, Sartoria Daniela
make-up, Beatrice Tavares Alves Fardilha
light designer, Andrea Grussu
illustration, Matteo Bianchi

Production of the eighth edition of the Vicenza in Lirica Festival 2020
artistic direction Andrea Castello
organization Concetto Armonico

—–
Info Tickets:
In compliance with Covid19 regulations, only 180 seats are available to attend the performance, unless other new indications.
Named seat single sector, without choice of seat: full € 60.00; reduced € 50.00 (under 35 and over 65) in advance sale at www.vivaticket.com or with compulsory reservation info@vicenzainlirica.it cell. 349 620 9712 | www.vicenzainlirica.it

"Suor Angelica" | Il Trittico by Giacomo Puccini at Maggio Musicale Fiorentino
2019-11-23 20:00 - 23:30, 2019-11-20 20:00 - 23:30, 2019-11-17 15:30 - 19:00, 2019-11-15 20:00 - 23:30 (Europe/Rome) | Teatro del Maggio Musicale Fiorentino, Piazza Vittorio Gui, 1, Florence, FI, 50144, Italy
Conductor Valerio Galli and director Denis Krief return together at the Teatro del Maggio for Puccini’s Trittico: Il tabarro, Suor Angelica and Gianni Schicchi. Premiered on Dec. 14, 1918 at the Metropolitan in New York to substantial acclaim, the three operas together are a perfect balance of music and dramaturgy: they begin with a story of jealousy that ends in murder and then continue with a family tragedy and, only at the end, are a few laughs wrung out. Although the three works were composed to be a one-act play, nowadays they are often separated to be paired with other similarly themed works or staged individually.
New staging in co-production with Teatro del Giglio in Lucca and Teatro Lirico in Cagliari
The performance on 15 November 2019 will be broadcast live on Rai Radio 3
Artists
Concertmaster and Conductor, Valerio Galli
Stage direction, scenes and costumes and light designer, Denis Krief
Il tabarro
Michele, Franco Vassallo
Giorgetta, María José Siri
Luigi, Angelo Villari
Il Tinca, Antonio Garès
Il Talpa, Eugenio Di Lieto
La Frugola, Anna Maria Chiuri
Venditore di canzonette, Dave Monaco
Amante, Costanza Fontana
Amante, Claudio Zazzaro
Voce di sopranino, Thalida Marina Fogarasi
Voce di tenorino, Leonardo Sgroi
Midinettes: Maria Cristina Bisogni, Cristina Pagliai, Sarina Rausa, Elena Bazzo, Elisabetta Ermini, Delia Palmieri
Orchestra and Choir of Maggio Musicale Fiorentino
Choir Master Lorenzo Fratini
Suor Angelica
Suor Angelica, María José Siri
Zia Principessa, Anna Maria Chiuri
Badessa, Marina Ogii
Suor Zelatrice, Anna Malavasi
Maestra delle Novizie, Giada Frasconi
Suor Genovieffa, Costanza Fontana
Suor Dolcina, Nikoleta Kapetanidou
Suora Infermiera, Carmen Buendia
Prima Cercatrice, Eunsong Lim
Seconda Cercatrice, Francesca Longari
Prima Novizia, Marta Pluda
Seconda Novizia, Julia Costa
Prima Conversa, Marilena Ruta
Seconda Conversa, Emma Alessi Innocenti
Suor Osmina, Elena Cavini
Three nuns: Daniela Losi, Consuelo Cellai, Amanda Ferri
Orchestra, Choir and Children’s Choir of Maggio Musicale Fiorentino
Choir and Children’s Choir Master Lorenzo Fratini
Gianni Schicchi
Gianni Schicchi, Bruno de Simone
Lauretta, Francesca Longari
Zita, Anna Maria Chiuri
Rinuccio, Dave Monaco
Gherardo, Antonio Garés
Nella, Costanza Fontana
Gherardino, Matteo Lantieri
Betto di Signa, Francesco Venuti
Simone, Eugenio di Lieto
Marco, Min Kim
La Ciesca, Giada Frasconi
Maestro Spinelloccio/Ser Amantio, Enrico Marabelli
Guccio, Adam Jon
Pinellino, Shuxin Li
Orchestra of Maggio Musicale Fiorentino
